I would like to start by saying i am a fan of films that are "different". I don't need a million gunshots or explosions to entertain me. I am not set on good guy vs bad guy and good guy winning. I like thought provoking films; i enjoy them much more than the soul sucking films that are manufactured on a daily basis. So i was intrigued by this one. The trailer was dark and seemed full of suspense. The critics had made bold comparisons with Stanley Kubrick, which in itself is a massive compliment. And as someone who lives in Scotland it had a little sentiment to it.
But for me it was dull. Every time i thought it was going to pick up the pace, it decelerated. It was so slow it may as well have been going backwards. There are far too many scenes that are prolonged. I am fully aware of its intention to focus on aesthetically driven scenes. But 5/6 seconds is enough to appreciate it, not 10/15 seconds. At some points i thought the reel had maybe stuck and was expecting a CineWorld employee to come pacing round the corner to explain that there was something wrong. It just pauses at points that don't need that much attention. I am also aware of the symbolic nature the film carries. It is clearly a film you need to look further to understand it in more depth. That is fine; i welcome that, but the problem is that it does this without conviction. I don't need to see the masses of drunkards who swarm Sauchiehall Street 20 times. What is the purpose? To let us know that we, as people, blindly walk through life intoxicated not appreciating the finer things in life? That Under the skin we are empty? I assume that is a candidate for its meaning.
Scarlett Johansson doesn't have a lot to do in this film; basically make small talk and get naked, all the while with a plain face. And considering how ridiculous the Scottish actors are made to look, maybe she is due some credit for maintaining that straight face. There are a few things that bug me however; like she can walk down your average staircase, but panics with a spiral staircase. There is a definite point to this film, but with the layout, with there being no real culmination, no real explanation, it leaves you feeling you have been robbed of a film that could have been more. Could have told a better story. And for any Americans who watch, not all Scottish people talk like that, or wear horrible purple shirts, unnecessarily tucking them into our over elevated jeans. We don't all support Hibs and when a van is parked not all of us will gang up and try to break into the van. So feel free to visit. It is a nice place after all. Although the film had some stunning scenes and promotes Scotland visually, it doesn't exactly put the people in a great light.
I wanted to enjoy this film, but i couldn't. I wanted to agree with comparisons with Kubrick, but i certainly won't. You can throw arguments of it was beautifully crafted or had symbolic serenity, but at the end of the day it is slow, uneventful and lacked culmination.
But for me it was dull. Every time i thought it was going to pick up the pace, it decelerated. It was so slow it may as well have been going backwards. There are far too many scenes that are prolonged. I am fully aware of its intention to focus on aesthetically driven scenes. But 5/6 seconds is enough to appreciate it, not 10/15 seconds. At some points i thought the reel had maybe stuck and was expecting a CineWorld employee to come pacing round the corner to explain that there was something wrong. It just pauses at points that don't need that much attention. I am also aware of the symbolic nature the film carries. It is clearly a film you need to look further to understand it in more depth. That is fine; i welcome that, but the problem is that it does this without conviction. I don't need to see the masses of drunkards who swarm Sauchiehall Street 20 times. What is the purpose? To let us know that we, as people, blindly walk through life intoxicated not appreciating the finer things in life? That Under the skin we are empty? I assume that is a candidate for its meaning.
Scarlett Johansson doesn't have a lot to do in this film; basically make small talk and get naked, all the while with a plain face. And considering how ridiculous the Scottish actors are made to look, maybe she is due some credit for maintaining that straight face. There are a few things that bug me however; like she can walk down your average staircase, but panics with a spiral staircase. There is a definite point to this film, but with the layout, with there being no real culmination, no real explanation, it leaves you feeling you have been robbed of a film that could have been more. Could have told a better story. And for any Americans who watch, not all Scottish people talk like that, or wear horrible purple shirts, unnecessarily tucking them into our over elevated jeans. We don't all support Hibs and when a van is parked not all of us will gang up and try to break into the van. So feel free to visit. It is a nice place after all. Although the film had some stunning scenes and promotes Scotland visually, it doesn't exactly put the people in a great light.
I wanted to enjoy this film, but i couldn't. I wanted to agree with comparisons with Kubrick, but i certainly won't. You can throw arguments of it was beautifully crafted or had symbolic serenity, but at the end of the day it is slow, uneventful and lacked culmination.