"A Reason to Live; A Reason to Die" is a American Civil War saga about a cashiered Union colonel who commands twelve condemned men to carry out a suicide mission. Initially, this do-or-die adventure epic opens like a "Dirty Dozen" clone before it turns into quasi-"The Good, the Bad, and the Ugly." Although Colonel Pembroke (James Coburn of "Duck, You Sucker") wants to clear himself of being a traitor, he really wants to appropriate a half-million dollars in gold from impregnable Fort Holman. Pembroke's nemesis at Holman is none other than Telly Savalas! Savalas' presence bolsters the allusion to "The Dirty Dozen." As the commandant of Fort Holman, Savalas refuses to take the easy way out. Tonino Valerii of "Day of Anger" helmed this standard-issue, Spaghetti western as if it were J. Lee Thompson's "The Guns of Navarone. Rafael Azcona and Ernesto Gastaldi co-wrote the screenplay about treacherous men with Valerii. Gastaldi had penned his share of Spaghettis, including "My Name Is Nobody," "Man from Nowhere," "Arizona Colt Returns," and "10,000 Dollars for a Massacre." Previously, Azcona and Gastaldi had co-written the Bud Spencer comedy oater "I Can Be Done, Amigo." The splendid, sun-baked scenery of Southern Spain; a seasoned cast headed up by Coburn and Savalas, and Riz Ortolani's flavorful orchestral soundtrack are the chief assets of "A Reason to Live; A Reason to Die." Actually, most of Ortolani's score sounds like excerpts from his "Day of Anger" soundtrack. Valerii creates some moments of suspense, particularly when they are stringing a rope to themselves. Bud Spencer goes in undercover as a Confederate soldier to help Pembroke and his men get into Fort Holman.
Interestingly, although neither the director nor the writers drew any parallels to history, "A Reason to Live; A Reason to Die" sounds something like the siege of Vicksburg. At Vicksburg, an armed citadel overlooking the bluffs of the Mississippi River, Pennsylvania born John Pemberton commanded the city and fortified themselves up against the Union Army and U.S. Grant. Like Fort Holman, Vicksburg was the gateway to the western Confederacy and its fall split the Confederacy and contributed to its defeat. Eventually, Grant starved the Confederates out of Vickburg and Pemberton was branded as a traitor for surrendering the city. When the Union Army captured Vicksburg, they cut the Confederacy in half, severing the Eastern Theater from the Western Theater. The officers in "A Reason to Live; A Reason to Die" depicts Fort Holman as a stronghold for the Union. When Pembroke gave up the fort, he was branded as a traitor like Pemberton for losing Vicksbug. Of course, events have been changed throughout the film, but you can see the dregs of history percolate up to the surface. In this respect, "A Reason to Live; A Reason to Die" isn't strictly a western
Interestingly, although neither the director nor the writers drew any parallels to history, "A Reason to Live; A Reason to Die" sounds something like the siege of Vicksburg. At Vicksburg, an armed citadel overlooking the bluffs of the Mississippi River, Pennsylvania born John Pemberton commanded the city and fortified themselves up against the Union Army and U.S. Grant. Like Fort Holman, Vicksburg was the gateway to the western Confederacy and its fall split the Confederacy and contributed to its defeat. Eventually, Grant starved the Confederates out of Vickburg and Pemberton was branded as a traitor for surrendering the city. When the Union Army captured Vicksburg, they cut the Confederacy in half, severing the Eastern Theater from the Western Theater. The officers in "A Reason to Live; A Reason to Die" depicts Fort Holman as a stronghold for the Union. When Pembroke gave up the fort, he was branded as a traitor like Pemberton for losing Vicksbug. Of course, events have been changed throughout the film, but you can see the dregs of history percolate up to the surface. In this respect, "A Reason to Live; A Reason to Die" isn't strictly a western