The embellished story of Soviet defector Igor Gouzenko is told here in the documentary style that 20th Century Fox popularized in the post World War II period with such other films as The House On 92nd Street, The Street With No Name and 13 Rue Madeleine. Gouzenko is played here in tightlipped fashion for an uptight man by Dana Andrews with Mrs. Gouzenko played by frequent Andrews co-star Gene Tierney.
Gouzenko was a security code clerk at the Soviet Embassy in Ottawa and was an important conduit for top secret information both in and out of official diplomatic channels. During the Cold War it was a standard practice for the Soviets to use their embassies as places of espionage as well as diplomacy as did we. But this started during World War II when both sides were ostensibly allies.
Canada had its own role in World War II as an ally, an important supplier of troops and even more important guardian of the North Atlantic sea lanes for supplies. Their scientists worked on the Manhattan Project and the development of a super weapon certainly piqued Soviet interest. Just what were allies America and the United Kingdom working on?
When we meet Gouzenko he's a pretty firm true believer in the evangelizing mission of the Soviet state. But what was presented satirically in films like Ninotchka and Comrade X is done seriously here. The material prosperity of the west is something Andrews pretends not to notice, but Tierney isn't quite as self controlled.
The friendliness of neighbor Edna Best to Tierney and her infant son proves to be invaluable in the end. No wonder the Soviets tell Andrews to stand aloof from the ordinary Canadians. Random acts of kindness can sometimes really pay off.
A good cast of villainous types play various Soviet embassy and intelligence officials. Two should be singled out, a female seductress played by June Havoc who tests Andrews discretion and loyalty and comes up short. And Eduard Franz who plays another embassy official who becomes disillusioned with Communism and isn't so discreet about it.
For a Cold War era anti-Communist film, The Iron Curtain holds up well over 60 years later. How convenient of Winston Churchill to provide a title for this film with a famous speech in 1948.
Gouzenko was a security code clerk at the Soviet Embassy in Ottawa and was an important conduit for top secret information both in and out of official diplomatic channels. During the Cold War it was a standard practice for the Soviets to use their embassies as places of espionage as well as diplomacy as did we. But this started during World War II when both sides were ostensibly allies.
Canada had its own role in World War II as an ally, an important supplier of troops and even more important guardian of the North Atlantic sea lanes for supplies. Their scientists worked on the Manhattan Project and the development of a super weapon certainly piqued Soviet interest. Just what were allies America and the United Kingdom working on?
When we meet Gouzenko he's a pretty firm true believer in the evangelizing mission of the Soviet state. But what was presented satirically in films like Ninotchka and Comrade X is done seriously here. The material prosperity of the west is something Andrews pretends not to notice, but Tierney isn't quite as self controlled.
The friendliness of neighbor Edna Best to Tierney and her infant son proves to be invaluable in the end. No wonder the Soviets tell Andrews to stand aloof from the ordinary Canadians. Random acts of kindness can sometimes really pay off.
A good cast of villainous types play various Soviet embassy and intelligence officials. Two should be singled out, a female seductress played by June Havoc who tests Andrews discretion and loyalty and comes up short. And Eduard Franz who plays another embassy official who becomes disillusioned with Communism and isn't so discreet about it.
For a Cold War era anti-Communist film, The Iron Curtain holds up well over 60 years later. How convenient of Winston Churchill to provide a title for this film with a famous speech in 1948.