Review of Hallelujah

Hallelujah (1929)
6/10
An Uneven Film, But It Should Be Seen
15 May 2014
"Hallelujah" is a very interesting film. For that reason alone, it should be seen. It has an all-black cast and it was released in 1929, just as sound was first being used in films.

However, it is a very uneven production. We should give it some slack because of when it was produced, but not to mention its deficiencies would be dishonest. The acting, the lighting, the sound--all are uneven. Sometimes it is distracting, sometimes not.

Zeke (Daniel L. Haynes) is the central character. He lives with his large family, growing cotton. When the crop is harvested, he and his brother have it processed and baled. They deliver it to the riverboat and sell it on the dock. There in the city, with the money burning a hole in his pocket, he is introduced to some unscrupulous characters. He is naïve and obviously unaware of some basic rules of life and film: Never shoot with another man's dice. Never take a knife to a gunfight. And never, never go for a woman who gives her attentions to the highest bidder.

The story is filled with clichés and stereotypes, and it frequently drags. It has its compelling moments, like a chase through a swamp. But what bothers me most is the overly-dramatic acting. This is partly due to the fact that many of the scenes were couched in religious fervor. There are revival scenes, baptism scenes, scenes of general praying. In fact, the entire film is presented as a religious parable. Often when the characters speak, it is as if they are preaching. This interferes with the authenticity of the action, making some characters seem more caricatures than real people.

"Hallelujah" is a musical. Songs accent almost every scene. Most of them are gospel/spirituals. But the two best songs were written by Irving Berlin ("At The End of the Road" and "Swanee Shuffle").
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