It feels too easy to call Rene Laloux's animated movies "trippy", as if one can only appreciate them while on drugs. But there's a kind of weird dream logic mixed with hallucinogenic science fiction that Laloux, along with his collaborator Moebius and Alejandro Jodorowsky, seems to have mastered. Unfortunately, Gandahar was his last feature film, and not his best. But for animation buffs or fans of weird sci-fi, it's well worth a look.
Gandahar uses a fairly straightforward, action-driven space opera plot line. It dramatizes the clash between nature and technology, perhaps in an over-literal way. Most of the above-mentioned weirdness comes from a race of misshapen seers that speak in impossible tenses, and a plot that requires time travel to a point which is simultaneously past and future. It's not convoluted, but it's impossible to understand just as actual time travel would be to our chronologically-limited minds. Oh, and there are lots of breasts, most of them belonging to blue people. Between that and the violence, Gandahar is certainly much less child-friendly than Laloux's other films.
Gandahar isn't really original as a whole, although there's a lot of fun absurdities like giant crabs throwing rocks at armies of metal men. But it's a fun watch, with just enough weirdness to put it above the familiar repertoire of 1980s science fiction. If you're a fan of any of the artists mentioned above, this is a must-see. If you're not, maybe give Gandahar a chance anyway. Who knows, you might like it.
Gandahar uses a fairly straightforward, action-driven space opera plot line. It dramatizes the clash between nature and technology, perhaps in an over-literal way. Most of the above-mentioned weirdness comes from a race of misshapen seers that speak in impossible tenses, and a plot that requires time travel to a point which is simultaneously past and future. It's not convoluted, but it's impossible to understand just as actual time travel would be to our chronologically-limited minds. Oh, and there are lots of breasts, most of them belonging to blue people. Between that and the violence, Gandahar is certainly much less child-friendly than Laloux's other films.
Gandahar isn't really original as a whole, although there's a lot of fun absurdities like giant crabs throwing rocks at armies of metal men. But it's a fun watch, with just enough weirdness to put it above the familiar repertoire of 1980s science fiction. If you're a fan of any of the artists mentioned above, this is a must-see. If you're not, maybe give Gandahar a chance anyway. Who knows, you might like it.