"The Judge And The Assassin" is a technically well-crafted film, with top-notch performances by Philippe Noiret and Michel Galabru (as well as by a young Isabelle Huppert in a small early role). It's also a wrongheaded film that tries to force a sense of moral complexity on the viewer. The attempts to create sympathy for the human monster played by Galabru are misguided at best, there is a gratuitous rape scene for shock value only, and the final blow is delivered at the very end, when we are informed that, although Galabru's serial killer had brutally raped and disemboweled 12 children, during the same period thousands of kids had perished while working in the mines. So? Is that supposed to make his crimes less horrific? I am reminded, once again, of Pauline Kael's comment on Tavernier's later, and more famous, "Coup De Torchon": "he's saying horrible, senseless, inexplicable things, such as that killing on a small scale is less immoral than killing on a grand scale". ** out of 4.
Review of The Judge and the Assassin
