7/10
A pioneering film but also a good film in its own right
20 September 2014
The Jazz Singer is a historically important film for being the first use of sound- though the film is one that is part silent and part sound- and being the first successful talkie. But it's also a film that is more than just a curio. Because while it is very of the time, and has some crude lighting at times and has some broad over-acting(particularly Warner Oland, who I feel is more suited in comedy than in drama, Eugenie Besserer is guilty sometimes of stock gesturing), it is still a good film in its own right. The Jazz Singer is well-shot and has production values that still hold up reasonably well. The songs are terrific, especially Toot, Toot Tootsie, My Mammy and Blue Skies(also have a soft spot for Mother of Mine), and the use of classical music is well-done, Bruch's Kol Nidrei stands out as being utilised very touchingly(the oft-repeated Romeo and Juliet Overture while an amazing piece had times where it was a tad out of place). What was also great was how remarkably rich the orchestra sounded. The story is sentimental, but not overly-schmaltzy and certainly not crude, it still comes across as very moving and powerful especially in the depiction of Jolson's love and devotion for his mother. Some have called The Jazz Singer out for being racist which I don't agree with, any scenes that may give off that vibe are barely seen here and when they are it's shown in an optimistic light and came across as being more reflective of the time it's set in rather than trying to intentionally offend. The Jazz Singer is notable for its historical importance and its music but it's notable also for the very charismatic and immensely charming lead performance of Al Jolson, he also sings his songs with a lot of emotion and spirit and has an interesting if personable quality to his voice. May McAvoy is touching, as is on the most part Eugenie Besserer, while Otto Lederer is both amusing and likable. Watch out too for William Demarest and Myrna Loy. Overall, a pioneering film of historical significance but also a good one. 7/10 Bethany Cox
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