4/10
What starts off great mulches down into a web of convoluted cold war mumbo-jumbo.
26 September 2014
Warning: Spoilers
The stage is set for an intriguing "Double Indemnity" like thriller where hard-boiled waitress (Mari Blanchard) turns out to seem to be more than the back-stabbing blonde sex-pot, betraying her fiancé (Frank Lovejoy) with a man (Richard Denning) she claims is her brother. The scenes at the drive-in restaurant which Lovejoy owns (and where Blanchard works) give promise to another "Detour" or "Decoy", a throwback to what classic film noir was all about. But soon you learn that what you think is going on isn't what is going on at all, and it all boils down to a trip to Germany where a stash of valuables hidden in a graveyard becomes the desire of the three leads, running from the law, yet not really on each other's side.

There are some creepy moments where Lovejoy comes across Denning and Blanchard are acting a lot less like brother and sister and more like lovers, and he doesn't put two and two together. There's faked murders, a phony radio broadcast announcing the search for the three runaways, and a lot more confusing situations involving a military base all of a sudden built around the gravesite which Lovejoy and Denning desperately try to get to so they can turn the valuables into golden wrenches in order to smuggle out of the country.

I found the whole thing pretty preposterous as the film went on, and as it neared its violent conclusion, my thoughts went from "Huh?" to "Whatever!". What seemed like a great scam in the making film where all the amoral parties ended up paying turned into an absurd cat and mouse game where the mouse and the rat play with the cat who grabs the cheese, not realizing that it's poisoned.
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