WildLike unfolds beautifully on screen - an authentic and thoughtful tale of recovery, relationships, healing and hope.
Mackenzie (Ella Purnell) must leave Washington state and go live with her uncle (Brian Geraghty) when her troubled mother enters a treatment and counseling program. Although seemingly conflicted, his lingering, uncomfortable gazes eventually give way to inappropriate behavior, and Mackenzie decides to flee his custody and find her way home. However she quickly realizes that Juneau will be difficult to leave, fully bordered by either mountains or water. A chance encounter with the recently widowed backpacker, Rene Bartlett (Bruce Greenwood), evolves into a method of escape, and Bart finds himself an unwitting partner in Mackenzie's plan to return to Seattle. Set amidst the majestic Alaskan wilderness - a place of boundless beauty, challenges and respite - their journey soon becomes more important than the destination. Free from distractions, Bart and Mackenzie (small against this magnificent landscape), experience the power of redemption and restoration. When Bart realizes the gravity of Mackenzie's situation, his concern for her deepens, and he realizes that her salvation is dependent upon his reaction.
This is a quiet, subtle film. In fact, there are times when the mountains seem to speak loudest. Indecencies against children are far too common, and they frequently happen in a "non-Hollywood" manner; often discreetly and calmly perpetrated by those closest to the victim. Attempts to navigate life and its relationships, after being victimized, are fraught with difficulties, leaving survivors confused and distrustful. Modern movies have become somewhat scarce on pure heroes. Even "good guys" are frequently so flawed that it's difficult to really root for them. The strength and tenacity shown by Purnell's character, along with the true unfettered goodness exuded by Greenwood, are welcome and refreshing.
WildLike masterfully proves that sometimes the Last Frontier is actually the beginning of a new life.
Mackenzie (Ella Purnell) must leave Washington state and go live with her uncle (Brian Geraghty) when her troubled mother enters a treatment and counseling program. Although seemingly conflicted, his lingering, uncomfortable gazes eventually give way to inappropriate behavior, and Mackenzie decides to flee his custody and find her way home. However she quickly realizes that Juneau will be difficult to leave, fully bordered by either mountains or water. A chance encounter with the recently widowed backpacker, Rene Bartlett (Bruce Greenwood), evolves into a method of escape, and Bart finds himself an unwitting partner in Mackenzie's plan to return to Seattle. Set amidst the majestic Alaskan wilderness - a place of boundless beauty, challenges and respite - their journey soon becomes more important than the destination. Free from distractions, Bart and Mackenzie (small against this magnificent landscape), experience the power of redemption and restoration. When Bart realizes the gravity of Mackenzie's situation, his concern for her deepens, and he realizes that her salvation is dependent upon his reaction.
This is a quiet, subtle film. In fact, there are times when the mountains seem to speak loudest. Indecencies against children are far too common, and they frequently happen in a "non-Hollywood" manner; often discreetly and calmly perpetrated by those closest to the victim. Attempts to navigate life and its relationships, after being victimized, are fraught with difficulties, leaving survivors confused and distrustful. Modern movies have become somewhat scarce on pure heroes. Even "good guys" are frequently so flawed that it's difficult to really root for them. The strength and tenacity shown by Purnell's character, along with the true unfettered goodness exuded by Greenwood, are welcome and refreshing.
WildLike masterfully proves that sometimes the Last Frontier is actually the beginning of a new life.