We breathe the atmosphere of court life
28 November 2014
Warning: Spoilers
This picture is of the costume kind. In other words, one, when looking at it, has the impression that the author has to the pages of Stanley Weyman, Henry Harland or Morris Hewlett for his inspiration. We breathe the atmosphere of court life and are taken back, as it were, into a far more romantic period than the present. Briefly the story is that of the disinclination of a beautiful Princess to marry to order. A Cardinal, attendant at the court, conceives a plot, whereby the girl is made to fall in love with the unwelcome Prince. The latter hires a band of desperadoes and he rescues the Princess and her lady friends from the clutches of these terrible looking, but in reality quite harmless, villains. This is a step towards gaining the girl's heart, but the Cardinal, and the King, her father, put her to a series of further tests with the disguised Prince as the object. At the appearance of love in the Princess' bosom, they interpose all sorts of obstacles between her meeting the lover. A knowledge of female human nature will tell the reader that the success of this plot is assured, for the more numerous the attempts are to part them, the greater becomes the girl's ardor and finally she falls very much in love, indeed, with the Prince, who is given her hand, whilst the Cardinal and King, in a little interesting aside, take snuff and exchange knowing winks. We have read this story, but cannot locate it, nor is it important that we should do so. The point we desire to note is the excellent clearness with which the Biograph Company have worked out a simple love theme on a canvas crowded with couriers, gallants, bravos and the usual attendants of a kingly court. The acting throughout is stately and dignified, and so far as we can judge convincing. The famous Biograph heroine plays her part exceedingly well, so do the Cardinal and the King, who look their parts to the life. The lover is perhaps less youthful than he might have been. We regretted as we saw the film that it was in cold monochrome, because such a subject as this, with its varied costumes, scenery and handsome appointments would have made a lovely thing to look on if it were colored. The picture is well worth seeing on account of the clever way in which a very difficult theme is handled by the Biograph staff. – The Moving Picture World, July 17, 1909
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