Plugging into a familiar franchise, SONS OF THE MUSKETEERS is perhaps most noticeable for Maureen O'Hara's performance as Claire, daughter of Athos, who adopts masculine attire and joins her fellow junior musketeers (Cornel Wilde, Dan O'Herlihy and Alan Hale Jr.) in writing wrongs. All of them know her true identity, but they are happy to play along in sustaining the illusion that she is actually a man, so that they can enjoy the fun of pranks such as the need for all the musketeers to share a bed together, or to take a shower together.
In truth O'Hara does not really make a convincing man, but this doesn't really seem to matter in a Technicolor adventure full of action, sword-fights and stirring music (by Roy Webb). As with many costume pictures made in the early Fifties (notably MGM's IVANHOE), the action unfolds at a brisk pace, leaving viewers little time to notice obvious implausibilities such as the musketeers speaking in a variety of accents ranging from Hollywood English to broad Nebraska. The supporting cast contains a smattering of Brits - to lend classical "authenticity" including Gladys Cooper (delivering her lines in stentorian tones reminiscent of Queen Victoria), and (in an uncredited role) Holmes Herbert, who for decades made a habit of playing butlers, lords, and miscellaneous nobles, his cut-glass British accent (honed in the theater of the early Twenties) contrasting with the panoply of other speaking voices on offer.
SONS OF THE MUSKETEERS tells a familiar tale, but it does so in a highly breezy and entertaining manner.
In truth O'Hara does not really make a convincing man, but this doesn't really seem to matter in a Technicolor adventure full of action, sword-fights and stirring music (by Roy Webb). As with many costume pictures made in the early Fifties (notably MGM's IVANHOE), the action unfolds at a brisk pace, leaving viewers little time to notice obvious implausibilities such as the musketeers speaking in a variety of accents ranging from Hollywood English to broad Nebraska. The supporting cast contains a smattering of Brits - to lend classical "authenticity" including Gladys Cooper (delivering her lines in stentorian tones reminiscent of Queen Victoria), and (in an uncredited role) Holmes Herbert, who for decades made a habit of playing butlers, lords, and miscellaneous nobles, his cut-glass British accent (honed in the theater of the early Twenties) contrasting with the panoply of other speaking voices on offer.
SONS OF THE MUSKETEERS tells a familiar tale, but it does so in a highly breezy and entertaining manner.