A classic and sorely underrated Hammer film in which the British East India Company officer Captain Harry Lewis - played very well by the engaging Guy Rolfe whom I recognise from something else but can't remember what - fights the cult of Kali which is responsible for the kidnapping and murder of thousands of Indians. The film has a very strong and effectively creepy and violent storyline and is directed to perfection, as ever, by Terence Fisher.
Unlike most Hammer films, it is based on real events though I don't know how closely as it's well outside my historical area of interest. One historical aspect of the film that I appreciated was Lewis' criticism of the East India Company, which he points out to his superior Colonel Henderson (a wonderful Andrew Cruickshank) is not investigating the disappearances of several thousand Indians out of any sense of morality or responsibility but because it is related to the disappearance of several English merchants' caravans. Another very effective piece of social commentary is Henderson giving the job of investigating the disappearances not to Lewis, the logical and seemingly obvious choice given that he has spent two years doing so on his own initiative, but to the supercilious and not very bright Captain Connaught-Smith (played, again very well, by Allan Cuthbertson) whose father went to school with Henderson. Shari Patel described Connaught-Smith very well in the film: "Captain Connaught-Smith is pleased by the obvious. It does not exercise his dull mind."
The treatment of the Indians in the film is far less condescending and insulting than the treatment of the Chinese in the similar Hammer film "The Terror of the Tongs" but, as was standard at the time, very few of the actors with speaking roles are actually Indian. The only actor of Indian descent to play a major role was Hammer regular Marne Maitland as Shari Patel. The other two major Indian characters are played by George Pastell and an uncredited Roger Delgado, both of whom were also frequently seen playing foreigners in the studio's films. David Spenser and Warren Mitchell are really the only non-Indian actors playing Indian characters who stick out like sore thumbs, in stark contrast to the fake Chinese people in the aforementioned film including, funnily enough, Maitland and Delgado.
Unlike most Hammer films, it is based on real events though I don't know how closely as it's well outside my historical area of interest. One historical aspect of the film that I appreciated was Lewis' criticism of the East India Company, which he points out to his superior Colonel Henderson (a wonderful Andrew Cruickshank) is not investigating the disappearances of several thousand Indians out of any sense of morality or responsibility but because it is related to the disappearance of several English merchants' caravans. Another very effective piece of social commentary is Henderson giving the job of investigating the disappearances not to Lewis, the logical and seemingly obvious choice given that he has spent two years doing so on his own initiative, but to the supercilious and not very bright Captain Connaught-Smith (played, again very well, by Allan Cuthbertson) whose father went to school with Henderson. Shari Patel described Connaught-Smith very well in the film: "Captain Connaught-Smith is pleased by the obvious. It does not exercise his dull mind."
The treatment of the Indians in the film is far less condescending and insulting than the treatment of the Chinese in the similar Hammer film "The Terror of the Tongs" but, as was standard at the time, very few of the actors with speaking roles are actually Indian. The only actor of Indian descent to play a major role was Hammer regular Marne Maitland as Shari Patel. The other two major Indian characters are played by George Pastell and an uncredited Roger Delgado, both of whom were also frequently seen playing foreigners in the studio's films. David Spenser and Warren Mitchell are really the only non-Indian actors playing Indian characters who stick out like sore thumbs, in stark contrast to the fake Chinese people in the aforementioned film including, funnily enough, Maitland and Delgado.