An obnoxious archaeologist insults the locals in Asia and has to flee, but not before grabbing a hoard of Asian treasures as he scurries back to the U.S. His investors back home want part of the fortune that he brings back with him. So he invites them all to his two-story mansion, but informs them that an Asian "curse" befalls those in possession of the fortune. His proposition is that the investors stay in his house for awhile and see for themselves what happens.
It's a silly story concept. But it does offer a neat little puzzle for whodunit fans to solve. The plot involves a séance, some incense, and tom-tom drums. There are multiple plot holes, at least one of which is revealed by means of dialogue. The solution to the puzzle includes a psychological concept called "conditioned response". But the application of it to this story is not very credible.
Characters are poorly developed, which is not surprising, given the short runtime. There are eight or so suspects, none very interesting, apart from a grouchy old woman lording over her henpecked husband. The insurance salesman is a bit annoying. The cops are rather nondescript and bumbling. I could have wished for a Charlie Chan.
In the version I watched, sound quality was not very good, and neither was the B&W cinematography. The visuals tended to be unnecessarily dark and somewhat blurry, probably a result of inferior technology in the 1930s. Casting is okay. But acting is exaggerated, also likely resulting from an era just emerging from silent films.
Aside from poor visuals and sound, which we might expect for that era, the main problem is a not very credible story premise, compounded by poor characterization. Even so, the film might still appeal to viewers who like animated puzzles, which is what a whodunit film really is.
It's a silly story concept. But it does offer a neat little puzzle for whodunit fans to solve. The plot involves a séance, some incense, and tom-tom drums. There are multiple plot holes, at least one of which is revealed by means of dialogue. The solution to the puzzle includes a psychological concept called "conditioned response". But the application of it to this story is not very credible.
Characters are poorly developed, which is not surprising, given the short runtime. There are eight or so suspects, none very interesting, apart from a grouchy old woman lording over her henpecked husband. The insurance salesman is a bit annoying. The cops are rather nondescript and bumbling. I could have wished for a Charlie Chan.
In the version I watched, sound quality was not very good, and neither was the B&W cinematography. The visuals tended to be unnecessarily dark and somewhat blurry, probably a result of inferior technology in the 1930s. Casting is okay. But acting is exaggerated, also likely resulting from an era just emerging from silent films.
Aside from poor visuals and sound, which we might expect for that era, the main problem is a not very credible story premise, compounded by poor characterization. Even so, the film might still appeal to viewers who like animated puzzles, which is what a whodunit film really is.