Some people seem to wonder why The Grand Budapest Hotel has garnered so much attention, praise and box-office success compared to other, arguably better Wes Anderson films. I, for one, have to say that I found The Royal Tenenbaums or Moonrise Kingdom better, more complex films. But I do understand the appeal and on reviewing this film will try in my very humble opinion, to dispel the mystery.
Having watched 99% of Wes Anderson's filmography I would say this is by far his more accessible movie, both in the story and narration of it. It's a simple, pretty linear story, easy to follow, charming from the beginning. What I found makes this film different and easier on the viewer is that much more streamlined The Royal Tenenbaums had a lot of intersecting stories, as did Moonrise Kingdom and here every characters seems to serve the purpose of telling ONE story: how the aging Mr. Mustapha came to own the Gran Budapest Hotel.
As always in Mr. Anderson's films, the concepts of family, friendship and loyalty are explored with nuance and subtlety as young Mustapha befriends the hotel concierge, Mr. Gustave H (played wonderfully by Ralph Fiennes) in a relationship that will change both of their fates. Young Mustapha, a lobby boy at the hotel, is being tutored by Mr. Gustave, and finds himself in the unique position of having to help his mentor when he's accused of murder. What ensues is a cat-and-mouse situation as Gustave is being chased by the police and assassins while he tries to clear his name. Although it sounds dramatic, the film is mostly a comedy that revolves around the two main characters and how their relationship evolves into a friendship that will last a lifetime as they try to stay alive.
For those familiar with Wes Anderson, you'll find some of his trademarks here: colorful supporting characters who make brief appearances with long-lasting impressions; tremendous attention to the detail of each frame, beautiful symmetry in the shots and a visual style that is all his own. One particular element that enhanced the film this time is that it was filmed in Europe so the shots of pre-war European towns totally add to the general feeling of nostalgia depicted throughout the movie (it's set in the early 1930s).
I read somewhere that this resembles more a European film in that explores a social world that does not and did not exist in the US, and I have to agree. The myriad of British actors present add to that feel: Jude Law, Tilda Swinton, Tom Wilkinson and of course Ralph Fiennes.
I honestly think that being much more accessible to wider audiences than his previous films, friendlier if you will, this is a movie that will appeal not only to Wes Anderson fans. It's just a beautiful cinematic experience, both narratively and visually. It actually reminded me a lot of Ernst Lubitsch's "Ninotchka", in the humor, wit and nostalgia. Add to that the bonus of seeing F. Murray Abraham in a prominent role again and you're set.
Having watched 99% of Wes Anderson's filmography I would say this is by far his more accessible movie, both in the story and narration of it. It's a simple, pretty linear story, easy to follow, charming from the beginning. What I found makes this film different and easier on the viewer is that much more streamlined The Royal Tenenbaums had a lot of intersecting stories, as did Moonrise Kingdom and here every characters seems to serve the purpose of telling ONE story: how the aging Mr. Mustapha came to own the Gran Budapest Hotel.
As always in Mr. Anderson's films, the concepts of family, friendship and loyalty are explored with nuance and subtlety as young Mustapha befriends the hotel concierge, Mr. Gustave H (played wonderfully by Ralph Fiennes) in a relationship that will change both of their fates. Young Mustapha, a lobby boy at the hotel, is being tutored by Mr. Gustave, and finds himself in the unique position of having to help his mentor when he's accused of murder. What ensues is a cat-and-mouse situation as Gustave is being chased by the police and assassins while he tries to clear his name. Although it sounds dramatic, the film is mostly a comedy that revolves around the two main characters and how their relationship evolves into a friendship that will last a lifetime as they try to stay alive.
For those familiar with Wes Anderson, you'll find some of his trademarks here: colorful supporting characters who make brief appearances with long-lasting impressions; tremendous attention to the detail of each frame, beautiful symmetry in the shots and a visual style that is all his own. One particular element that enhanced the film this time is that it was filmed in Europe so the shots of pre-war European towns totally add to the general feeling of nostalgia depicted throughout the movie (it's set in the early 1930s).
I read somewhere that this resembles more a European film in that explores a social world that does not and did not exist in the US, and I have to agree. The myriad of British actors present add to that feel: Jude Law, Tilda Swinton, Tom Wilkinson and of course Ralph Fiennes.
I honestly think that being much more accessible to wider audiences than his previous films, friendlier if you will, this is a movie that will appeal not only to Wes Anderson fans. It's just a beautiful cinematic experience, both narratively and visually. It actually reminded me a lot of Ernst Lubitsch's "Ninotchka", in the humor, wit and nostalgia. Add to that the bonus of seeing F. Murray Abraham in a prominent role again and you're set.