Review of Good Times

Good Times (1974–1979)
8/10
WAY ahead of its time . . . whether people knew it or not
15 March 2015
Warning: Spoilers
It's funny to me every time I read about a "modern" TV show/movie/etc. about racial/gender/class issues being "groundbreaking," because Norman Lear was doing some pretty brave "groundbreaking" as far back as the early 70's. "All in the Family" was arguably the greatest, most "realistic" (in TV terms) family sitcom EVER to grace TV (followed closely by "Roseanne"). As if AITF wasn't enough, "Maude" and her ahead- of-her-time politics spun out of that universe, as did "Good Times," which was the first sitcom to really show the gritty reality of lower- class American life since "The Honeymooners." Yes, there were stereotypes . . . yes, there was manipulative "button-pushing," yes, there was lots of "jive talking,'" but like Roseanne, at the heart of all that bravado was a family that REALLY loved and supported each other, and were trying desperately to reach that "American dream." Of course, it was usually futile, mainly because they wanted to keep the shows going, but ironically, it actually reflected the reality of the times . . . which is that unfortunately, that dream is just out of reach for many. But "Good Times" was so well-cast, well-acted, and well-staged (like a very good play), we could overlook its faults . . . because we cared about the characters. Esther Rolle and John Amos had great chemistry together, and the kids were also perfectly cast. I remember hearing things on this show that I had never heard before, like VD, teen pregnancy, the poor resorting to eating dog to survive, the constant struggle of the father figure to provide for his family . . . it just goes on and on. Things that we middle-class white Americans had NO idea of. And that opening - that HAS to be one of the greatest opening montages of images and theme music EVER (The Sopranos comes to mind as a contender). They just don't make 'em like that anymore. Although things began to slip once John Amos left (in one of those "I'm moving on to bigger and better things" mistakes that TV actors often make . . . assuming that a hit TV show is a sure road to super stardom, never to be heard from again except in minor, supporting bits), it was still one of the best of the 70's. So whenever you hear somebody talk about a "groundbreaking" TV show/movie, keep in mind that that ground was "broken" long ago . . .
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