Anyone acquainted with contemporary horror likely knows of Ti West and knows what he's capable of putting together in terms of making horror films. He can take various setups and proceed to fill them with characters, atmosphere, and an impending sense of dread in order to effectively adhere to the basic principles of the horror genre. Trigger Man, made on a dirt-poor budget in 2007, concerning three men (Reggie Cunningham, Ray Sullivan, and Sean Reid), who embark on a hunting trip in Delaware where they soon become the target of a lethal sniper lurking in the woods, seems like the perfect premise for West to execute his suspense-driven ways. However, he focuses too much on inherently-inert suspense, which comes in the form of the hunters walking around a cluttered forest to the point of excess; West essentially traps himself within the confines of his own suspense that any form of payoff inevitably becomes a "too little, too late" circumstance.
West does it all with Trigger Man, from being the film's writer, producer, director, editor, and cinematographer, and the film gives off the impression it was shot amongst pals during a weekend getaway. The continuity is all over the place, the camera-work is frequently unsteady, the editing feels sloppy, and the sense of dread is shockingly minimal. The film's glaring error, alongside the fact that the suspense comes in excess, is that West doesn't allow any sort of spacial element to take fold. We never really get the sense of, despite the vast open spaces around them, how trapped these characters are. We don't get the idea of the environment because we're so busy lingering on our empty characters with medium-length, unsteady shots, and with a film that takes place almost entirely in a woodsy setting, the environment is a key aspect. The forest is a lifeless character, complimented by the three leads, absent of any and all personality.
There's a brilliant horror film fighting to reveal itself in Trigger Man, but as it stands, the film is too slight to recommend and too unremarkable to commend on the same level as other West films. This is an interesting effort, combining the most minimalistic levels of storytelling devices, narrative progression, and payoff to create a horror film stripped down to its bare basics of operation, but it's all too shaky and uniformly messy to praise when there are other efforts of the like that do so much better at conveying dread and suspense (the underrated Open Water, anyone?). The good thing is with West's strong filmography, this one will live on as a footnote and its long term impact clearly hasn't worked to stall what looks to be a long, fruitful career.
Starring: Riley Cunningham, Ray Sullivan, and Sean Reid. Directed by: Ti West.
West does it all with Trigger Man, from being the film's writer, producer, director, editor, and cinematographer, and the film gives off the impression it was shot amongst pals during a weekend getaway. The continuity is all over the place, the camera-work is frequently unsteady, the editing feels sloppy, and the sense of dread is shockingly minimal. The film's glaring error, alongside the fact that the suspense comes in excess, is that West doesn't allow any sort of spacial element to take fold. We never really get the sense of, despite the vast open spaces around them, how trapped these characters are. We don't get the idea of the environment because we're so busy lingering on our empty characters with medium-length, unsteady shots, and with a film that takes place almost entirely in a woodsy setting, the environment is a key aspect. The forest is a lifeless character, complimented by the three leads, absent of any and all personality.
There's a brilliant horror film fighting to reveal itself in Trigger Man, but as it stands, the film is too slight to recommend and too unremarkable to commend on the same level as other West films. This is an interesting effort, combining the most minimalistic levels of storytelling devices, narrative progression, and payoff to create a horror film stripped down to its bare basics of operation, but it's all too shaky and uniformly messy to praise when there are other efforts of the like that do so much better at conveying dread and suspense (the underrated Open Water, anyone?). The good thing is with West's strong filmography, this one will live on as a footnote and its long term impact clearly hasn't worked to stall what looks to be a long, fruitful career.
Starring: Riley Cunningham, Ray Sullivan, and Sean Reid. Directed by: Ti West.