Review of Henri 4

Henri 4 (2010)
6/10
Rushed
17 April 2015
Warning: Spoilers
Ambitious in its intentions, based on Heinrich Mann's historical novel, this movie looks apparently pretty good: it surely has a much more authentic atmosphere especially compared to the infamous 'La Reine Margot', good cinematography, and decent acting (except Charles IX). But, contrary to another reviewer who thought it too long, actually it's too short and over-simplified.

The dire, murderous and suspicious atmosphere is very well realized, as many of those admired crowned heads have behaved sometimes like insane mass murderers, and luckily the glamorized feel of too many historical films has not crept in here. But the script looks rushed, hurrying and compressing events, decades, characters and their motivations. Thus, even the action is unclear for a viewer unfamiliar with that age and place, and important historical or dramatic events are but hinted at or simply omitted (the Ligue and its rebellion, the deaths of Charles IX, Henri III and of his brother, the last Valois heir, and also Caterina's death).

In reality, the historical characters have been pretty complex and contradictory: Caterina was not only an evil and scheming hag such as her portrayal in Dumas' novels, but an active and courageous politician striving (mostly in vain) to maintain a fragile balance in a kingdom devastated by three rival factions (the Court, the Guise family with its Ligue, and the Huguenots led by the future Henri IV). Or Henri III, her favorite son, was indeed a weird, undecided, bisexual, perhaps bipolar fellow, but certainly not an idiot: it was him who 'eliminated' his main rival the duke de Guise and finally allied with the future Henri IV against the Ligue and named him heir presumptive. The death of Gabrielle is not elucidated in the film (was it Rosny, the king's main adviser, really? Unbelievable).

Maria de Medici is treated in an infantile manner, and even the king's assassination is very poorly explained. Also lacking are many other tentatives of assassinating him throughout all his life course. The pacification of France after his last conversion and crowning took in reality many years and required much effort, from battles to bribery for rebellious dukes. By the way, the duke d'Epernon, the last standing rebel and a main mastermind of the king's assassination, is absent from this film.

To sum all these up: despite its ambitious luster, strangely the film has the feel of a low budget one: too few characters, rushed situations, poorly explored motivations, quite few extras in the scenes at the Court. Which is in fact bad for a film treating such dramatic and surprising events.
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