It has always been my humble opinion that the best player in the history of the screen who could go quickest into a rage and convince you of it is Kirk Douglas. So the dual role of Dr.Jekyll/Mr.Hyde should have been a natural for him. And when it's strictly acting Kirk takes his place along side John Barrymore, Fredric March, Spencer Tracy even to the guy who created the role in the Victorian era theater Richard Mansfield.
But this musical adaption of Dr.Jekyll And Mr. Hyde fails precisely because of that, it's music. Lionel Bart who wrote so many good songs in the 60s for British pop stars and the score of the musical Oliver was in a lot of financial and health problems. The story goes that Bart opened the trunk and provided a lot of previously unpublished stuff for the score. It hadn't been used because it wasn't that good.
Can't critique the cast here though only Stanley Holloway as Poole the butler could be properly identified as a musical performer. Kirk Douglas had sung on the big screen previously in 20,000 Leagues Under The Sea and Man Without A Star, but he had better material there. Donald Pleasance is his usual slimy self as the man from London's underworld who discovers Douglas's dual nature.
The women in the story no matter which version also emphasize the dual nature. Susan Hampshire is the daughter of Michael Redgrave who Douglas courts as Jekyll. But it's Susan George as the music hall performer who Hyde wants to make his love slave.
I wish Kirk Douglas had done a straight dramatic version, it would have been better received.
But this musical adaption of Dr.Jekyll And Mr. Hyde fails precisely because of that, it's music. Lionel Bart who wrote so many good songs in the 60s for British pop stars and the score of the musical Oliver was in a lot of financial and health problems. The story goes that Bart opened the trunk and provided a lot of previously unpublished stuff for the score. It hadn't been used because it wasn't that good.
Can't critique the cast here though only Stanley Holloway as Poole the butler could be properly identified as a musical performer. Kirk Douglas had sung on the big screen previously in 20,000 Leagues Under The Sea and Man Without A Star, but he had better material there. Donald Pleasance is his usual slimy self as the man from London's underworld who discovers Douglas's dual nature.
The women in the story no matter which version also emphasize the dual nature. Susan Hampshire is the daughter of Michael Redgrave who Douglas courts as Jekyll. But it's Susan George as the music hall performer who Hyde wants to make his love slave.
I wish Kirk Douglas had done a straight dramatic version, it would have been better received.