Esteemed as a classic The Hustler doesn't match the hype. There is not near enough entertainment on offer here to stretch across the film's much too long running time. The film takes place in the dingy, seedy world of pool, with all its gambling and boozing. It makes for a rather dark film. There is a little bit of fun to be had in the beginning as we're introduced to small-time hustler Fast Eddie Felson. Eddie yearns to be big-time and to do that he's got to beat the best. And Minnesota Fats is the best. We see Eddie and Fats play a thoroughly compelling game of pool. But for the film it's all downhill from there. Things get too dark, too bleak. There is nothing to enjoy. The film tells an interesting story to be sure. But that story is ever so hard to embrace, it's quite a sordid tale. Ultimately The Hustler leaves you with a sinking feeling in your gut. This is a rather unpleasant movie-watching experience.
Paul Newman, as Eddie, and Jackie Gleason, as Fats, give fine performances. Newman makes Eddie into a compelling, if thoroughly flawed, hero. Gleason doesn't have much screen time but he makes the most of every moment, having such a great presence about him. Unfortunately the good work of Newman and Gleason is undermined by what surrounds them. The character of Bert Gordon, unscrupulous gambler, drags the film into the muck. George C. Scott plays the role and there's nothing wrong with the performance. Scott makes Bert into what the script calls for him to be. Unfortunately what the script calls for Bert to be is a vile, miserable, reprehensible human being. Hearing Bert, a man who has no character whatsoever, lecture Eddie about his lack of character will have you shaking your head. Bert is so repugnant his presence makes the entire film distasteful.
Then there's Sarah, a young alcoholic woman who falls into a relationship with Eddie. Piper Laurie plays this part and, as with Scott, there's nothing to fault about the performance. The character just doesn't work properly, she's not entirely believable. She seems to exist only to teach Eddie life lessons. And Eddie does indeed learn much about himself by the time the film ends. But for the viewer it's been a rather unsatisfying journey. The film is slow, plodding and bleak to the point of being outright depressing. The film started with great promise. You thought that even in those dingy pool halls there might be some bright enjoyment to be had. There was not. This film gives you precious little to enjoy. Newman does the best he can to carry the film but ultimately he, and we, are let down by the story. The Hustler unfolds in a very dark world. Sadly, that darkness overwhelms the film.
Paul Newman, as Eddie, and Jackie Gleason, as Fats, give fine performances. Newman makes Eddie into a compelling, if thoroughly flawed, hero. Gleason doesn't have much screen time but he makes the most of every moment, having such a great presence about him. Unfortunately the good work of Newman and Gleason is undermined by what surrounds them. The character of Bert Gordon, unscrupulous gambler, drags the film into the muck. George C. Scott plays the role and there's nothing wrong with the performance. Scott makes Bert into what the script calls for him to be. Unfortunately what the script calls for Bert to be is a vile, miserable, reprehensible human being. Hearing Bert, a man who has no character whatsoever, lecture Eddie about his lack of character will have you shaking your head. Bert is so repugnant his presence makes the entire film distasteful.
Then there's Sarah, a young alcoholic woman who falls into a relationship with Eddie. Piper Laurie plays this part and, as with Scott, there's nothing to fault about the performance. The character just doesn't work properly, she's not entirely believable. She seems to exist only to teach Eddie life lessons. And Eddie does indeed learn much about himself by the time the film ends. But for the viewer it's been a rather unsatisfying journey. The film is slow, plodding and bleak to the point of being outright depressing. The film started with great promise. You thought that even in those dingy pool halls there might be some bright enjoyment to be had. There was not. This film gives you precious little to enjoy. Newman does the best he can to carry the film but ultimately he, and we, are let down by the story. The Hustler unfolds in a very dark world. Sadly, that darkness overwhelms the film.