This one was Predictable going in, an Overrated Director, John Sturges, and an Actor, when commenting on, becomes Blasphemous to call Overrated, but a case could be made, Spencer Tracy, always seemed to be Old On Screen even in the Early Days and although
He could be Commanding and Intense, the Range was Small and He Rarely Played anything other than Spencer Tracy. But He is much Beloved.
MGM was Late to Film-Noir and Never seemed to Get it quite Right and this is another Excellent Example of the Studio Trying but Coming Up Short. John Alton's Cinematography in the First Act and the Third Act give the Film a Distinctive Urban-Crime Feel and the Ending is Surprising considering the Studio.
But the Film is Clunky at times and Tracy Struggles to show the Difference between His Drunk and Non Drunk Scenes. James Arness as the one on Trial is Miscast and pretty Stiff. The Rest of the Familiar Cast go through the Motions Without Much Flare, even the Flamboyant Criminals.
Overall, it is Highly Melodramatic and Not a lot of it Works that Well. But it is Worth a Watch for Spencer Tracy Fans, John Alton's Noir-ish Look and to See Director Sturgess before He Became completely Formulaic and a Mainstream Hack that Delivered Popcorn Pictures Masquerading as Artful Cinema like "The Great Escape" (1963) and "The Magnificent Seven" (1960).
He could be Commanding and Intense, the Range was Small and He Rarely Played anything other than Spencer Tracy. But He is much Beloved.
MGM was Late to Film-Noir and Never seemed to Get it quite Right and this is another Excellent Example of the Studio Trying but Coming Up Short. John Alton's Cinematography in the First Act and the Third Act give the Film a Distinctive Urban-Crime Feel and the Ending is Surprising considering the Studio.
But the Film is Clunky at times and Tracy Struggles to show the Difference between His Drunk and Non Drunk Scenes. James Arness as the one on Trial is Miscast and pretty Stiff. The Rest of the Familiar Cast go through the Motions Without Much Flare, even the Flamboyant Criminals.
Overall, it is Highly Melodramatic and Not a lot of it Works that Well. But it is Worth a Watch for Spencer Tracy Fans, John Alton's Noir-ish Look and to See Director Sturgess before He Became completely Formulaic and a Mainstream Hack that Delivered Popcorn Pictures Masquerading as Artful Cinema like "The Great Escape" (1963) and "The Magnificent Seven" (1960).