The first impression I had of this masterpiece of Ozu's production was a both nostalgic and familiar one. However, this is not a feeling of an old and ended passed time but the somehow sad premonition of the society we still live in.
At the beginning Sugiyama couple wake up with an alarm and the wife starts her duties while the man is going to get the train bound for Tokyo. And the train itself, that opens this movie, gives us the idea of a time no more natural but subjugated to work and money. Another thing that suggests this mood is the job of the main character of this story, Mr. Sugiyama. He works in a busy and big office in Tokyo as salary man. He is nothing without a company that can provide him a sum of money to live. A salary. We can understand it when Sugiyama speaks to two of his former comrades that are artisans, that's to say people still making something tangible. More simple minded but also less stressed and unconscious of the future. The Japanese salary men, especially in this movie filmed soon after the WWII, seem young students without concerns. They eat near the imperial palace as in school trip and they organize a day-trip to sea, a noodle party and, this the main point of the movie, romance between them. The romance that so develops between Sugiyama and Kingyo, the young and single female secretary of the company the main character works in, is the symbol of a new generation. People far from house, without material skills and less practical and patient. As children of a new future. The one made by train, timetables, offices, papers and ties we, as well as Japan, nowadays live in. The betrayed wife of Sugiyama, after her discovery of the relation of the husband, decide to leave him in order to make him concern. However, after the solicitations by her mother and the old colleague of his husband decide to come back to him, transferred in Okayama for three years. This shows how the maybe old fashioned and domestic patience can resolve things in order "to not make them more difficult than they are" as the mother of Mrs Sugiyama says. Because as the colleague suggest "these are proofs that can enforce the couple and not make it end". At the end the couple decide to stay together after all happened in a town of offices and business but no patience and warmth. Not as in their final destination Okayama. A city below chimneys and so more practical but also more traditional and patient.
Ozu seems to say us that the patience that helped Japanese people during war and natural disasters, the one which the foreigners still today admire the most, can be blown away if the practical and stoic spirit loses the strength in front of a crazy rush for money. The money itself the samurai of old Japan despised.
This movie so can be read as the warning of an father in front of a son that is going to became adult and the leader of a new generation. We have a sort of Tokyo Story without the two old parents as main characters. However, also here, the wise and elder helps the younger. The gloomy smoker mother and the humble smiling colleague.
Japan should have seen this movie more before the bubble era, the crazy consumer tendencies and today lack of identity among many of its people. That time was early spring but now we are already in full summer.
At the beginning Sugiyama couple wake up with an alarm and the wife starts her duties while the man is going to get the train bound for Tokyo. And the train itself, that opens this movie, gives us the idea of a time no more natural but subjugated to work and money. Another thing that suggests this mood is the job of the main character of this story, Mr. Sugiyama. He works in a busy and big office in Tokyo as salary man. He is nothing without a company that can provide him a sum of money to live. A salary. We can understand it when Sugiyama speaks to two of his former comrades that are artisans, that's to say people still making something tangible. More simple minded but also less stressed and unconscious of the future. The Japanese salary men, especially in this movie filmed soon after the WWII, seem young students without concerns. They eat near the imperial palace as in school trip and they organize a day-trip to sea, a noodle party and, this the main point of the movie, romance between them. The romance that so develops between Sugiyama and Kingyo, the young and single female secretary of the company the main character works in, is the symbol of a new generation. People far from house, without material skills and less practical and patient. As children of a new future. The one made by train, timetables, offices, papers and ties we, as well as Japan, nowadays live in. The betrayed wife of Sugiyama, after her discovery of the relation of the husband, decide to leave him in order to make him concern. However, after the solicitations by her mother and the old colleague of his husband decide to come back to him, transferred in Okayama for three years. This shows how the maybe old fashioned and domestic patience can resolve things in order "to not make them more difficult than they are" as the mother of Mrs Sugiyama says. Because as the colleague suggest "these are proofs that can enforce the couple and not make it end". At the end the couple decide to stay together after all happened in a town of offices and business but no patience and warmth. Not as in their final destination Okayama. A city below chimneys and so more practical but also more traditional and patient.
Ozu seems to say us that the patience that helped Japanese people during war and natural disasters, the one which the foreigners still today admire the most, can be blown away if the practical and stoic spirit loses the strength in front of a crazy rush for money. The money itself the samurai of old Japan despised.
This movie so can be read as the warning of an father in front of a son that is going to became adult and the leader of a new generation. We have a sort of Tokyo Story without the two old parents as main characters. However, also here, the wise and elder helps the younger. The gloomy smoker mother and the humble smiling colleague.
Japan should have seen this movie more before the bubble era, the crazy consumer tendencies and today lack of identity among many of its people. That time was early spring but now we are already in full summer.