I was almost immediately enthralled with this documentary about the life of a trapper in the boreal forest of Siberia in the town of Bakhta (population around 300). I did not expect it to be so interesting, but looking at the credits of director Werner Herzog, 68 in all, I am not so surprised. Apparently I have stumbled upon a great director of documentary films that previously I knew nothing about. Also directing was Dmitry Vasyukov.
What makes this work so well is the clear, concrete detail shown as the trapper (Nikolay Nikiforovitch Siniaev, I believe) goes about what he has to do throughout the entire year in order to survive in the harsh climate. What must be done in spring as he prepares for the melting of the snow (and the mosquitos!) is very different from what must be done in the dead of winter when there is ice on the man's beard. Interesting enough during both winter and summer they fish the river for pike, breaking ice in winter and throwing nets in the summer, which they either smoke or feed to the dogs.
The dogs! In this film we can see clearly the essential symbiotic relationship between humans and dogs. It is not clear that the trapper would be able to do his work without the help of his dogs. The dog's ears and its sense of smell augment the man's knowledge and experience so that together we see them work as a team. When the man makes a mosquito repellent from the bark of a birch tree (I think it was birch) he rubs it on his dogs as well.
The amount of carpentry and other wood working that the trapper has to do, including making craft to navigate the rivers and streams, is surprising. Of course the traps he makes are made mostly of wood. He traps sable for its valuable fur. To do so he has to place traps over a wide area which means he has to maintain various cabins in the woods that he and whoever is working with him can stay overnight since the treks cover many miles of frozen ground. We see him knocking down the snow piled high on the cabins, repairing damage made by bears, etc.
The idea that the people are happy and especially the trapper cannot be argued with even though their lives are hard. The life's lesson here is that when a man is consumed with work that he has to do, that is necessary for his survival, and it is work that he can do, that he has developed the skills to do, that man is happy. He is happy partly because he is close to nature; in fact he is immersed in nature in a way similar to way hunters and gathers were in Paleolithic times. It can be argued that that world, however challenging, is one that is natural for humans. (Of course there are other natural environments, some very different such as an equatorial jungle demanding a different set of skills.) After watching this I intend to watch some of Herzog's other films.
By the way, Klaus Badelt's score is beautiful and haunting.
--Dennis Littrell, author of "Cut to the Chaise Lounge or I Can't Believe I Swallowed the Remote"
What makes this work so well is the clear, concrete detail shown as the trapper (Nikolay Nikiforovitch Siniaev, I believe) goes about what he has to do throughout the entire year in order to survive in the harsh climate. What must be done in spring as he prepares for the melting of the snow (and the mosquitos!) is very different from what must be done in the dead of winter when there is ice on the man's beard. Interesting enough during both winter and summer they fish the river for pike, breaking ice in winter and throwing nets in the summer, which they either smoke or feed to the dogs.
The dogs! In this film we can see clearly the essential symbiotic relationship between humans and dogs. It is not clear that the trapper would be able to do his work without the help of his dogs. The dog's ears and its sense of smell augment the man's knowledge and experience so that together we see them work as a team. When the man makes a mosquito repellent from the bark of a birch tree (I think it was birch) he rubs it on his dogs as well.
The amount of carpentry and other wood working that the trapper has to do, including making craft to navigate the rivers and streams, is surprising. Of course the traps he makes are made mostly of wood. He traps sable for its valuable fur. To do so he has to place traps over a wide area which means he has to maintain various cabins in the woods that he and whoever is working with him can stay overnight since the treks cover many miles of frozen ground. We see him knocking down the snow piled high on the cabins, repairing damage made by bears, etc.
The idea that the people are happy and especially the trapper cannot be argued with even though their lives are hard. The life's lesson here is that when a man is consumed with work that he has to do, that is necessary for his survival, and it is work that he can do, that he has developed the skills to do, that man is happy. He is happy partly because he is close to nature; in fact he is immersed in nature in a way similar to way hunters and gathers were in Paleolithic times. It can be argued that that world, however challenging, is one that is natural for humans. (Of course there are other natural environments, some very different such as an equatorial jungle demanding a different set of skills.) After watching this I intend to watch some of Herzog's other films.
By the way, Klaus Badelt's score is beautiful and haunting.
--Dennis Littrell, author of "Cut to the Chaise Lounge or I Can't Believe I Swallowed the Remote"