A Big Production Design Highlights this Mid-Sixties Western. The Cinematography, Score, and overall Look of the Movie is Stunning when Viewed Today in HD. The Colors Vibrate, the Landscape is Picture Post Card Beautiful, and the Sets in the Third-Act conclusion are nothing less than Surreal.
The Cast, is Headlined by a Grizzly, Disheveled, Drunk, and Angry Richard Boone, straight from his Popular and long running "Have Gun, Will Travel" TV Show, with support from Tony Franciosa, Stuart Whitman, and Debuting Football Star Jim Brown.
All do Adequate Work with Boone Chewing the Scenery often as He Overshadows Everyone. That is until the Climax when He Spars with Edmond O'Brien for Over Acting Honors. It is that aforementioned Third Act that is the Film's Highlight and is worth the price of admission.
Although there are a few Action Scenes that lead up to the Violent and Explosive Conclusion that keep things Humming. It has its share of leftover Hollywood Stereotypes, but also shows Signs of the Transitional Western with some Brutality and a Touch of Sensitivity.
Overall, it is riding the Gap between the Old and the New western (post Boetticher/Mann and pre Leone/Peckinpah) and is helped by the Stalwart Professionalism.
The Cast, is Headlined by a Grizzly, Disheveled, Drunk, and Angry Richard Boone, straight from his Popular and long running "Have Gun, Will Travel" TV Show, with support from Tony Franciosa, Stuart Whitman, and Debuting Football Star Jim Brown.
All do Adequate Work with Boone Chewing the Scenery often as He Overshadows Everyone. That is until the Climax when He Spars with Edmond O'Brien for Over Acting Honors. It is that aforementioned Third Act that is the Film's Highlight and is worth the price of admission.
Although there are a few Action Scenes that lead up to the Violent and Explosive Conclusion that keep things Humming. It has its share of leftover Hollywood Stereotypes, but also shows Signs of the Transitional Western with some Brutality and a Touch of Sensitivity.
Overall, it is riding the Gap between the Old and the New western (post Boetticher/Mann and pre Leone/Peckinpah) and is helped by the Stalwart Professionalism.