The Holly and the Ivy is a far cry from the usual Christmas story since it is more a family drama set during the Christmas season. It is a powerful story with excellent acting as the group gets together in a country village north of London in 1948.
The family made up of father, aunts, grown children and two male friends come together at the vicarage of the father, the parson in a local church. Ralph Richardson and Margaret Leighton, as father and daughter, have the key roles and are bolstered by a strong supporting cast, including Denholm Eliot and Celia Johnson.
During the evening and Christmas morning, family matters that had been ignored or kept secret, come to the fore. After a series of uncomfortable incidents and heart-to-heart talks, things change and everyone finds comfort and possibly a deeper purpose in this Christmas.
This is certainly a serious movie and totally entertaining. Unlike many of the fantasy films we see at Christmas, this offers a dose of reality. The sets are very plain as they were in most British dramas of that era but the acting is superb. It teaches the audience that Christmas and family difficulties are often played out together. In that sense, family Christmas gatherings may not be that different than they were 60 some years ago.
The family made up of father, aunts, grown children and two male friends come together at the vicarage of the father, the parson in a local church. Ralph Richardson and Margaret Leighton, as father and daughter, have the key roles and are bolstered by a strong supporting cast, including Denholm Eliot and Celia Johnson.
During the evening and Christmas morning, family matters that had been ignored or kept secret, come to the fore. After a series of uncomfortable incidents and heart-to-heart talks, things change and everyone finds comfort and possibly a deeper purpose in this Christmas.
This is certainly a serious movie and totally entertaining. Unlike many of the fantasy films we see at Christmas, this offers a dose of reality. The sets are very plain as they were in most British dramas of that era but the acting is superb. It teaches the audience that Christmas and family difficulties are often played out together. In that sense, family Christmas gatherings may not be that different than they were 60 some years ago.