While the 1941 version of "Whistling in the Dark" is by far the most famous version, back in the 1930s there was a previous version and I enjoyed it very much. Now, less than a decade later, MGM is back with a new version--this time starring Red Skelton. As for me, I much preferred the original version even if it starred the much less famous Ernest Truex. Of course the original was more famous but it also didn't try so hard to be funny and was more subtle and likable.
When the film begins, some evil scumbags are scamming lots of gullible ladies with their cult. However, this is no common, ordinary cult leader, as apparently he and his gang of thugs are killers! Their latest atrocity needs to be the perfect murder and instead of the boss (Conrad Veidt) planning it, he decides to force a radio program writer and performer, Wally Benton (Red Skelton) to plan this perfect killing. And, to provide Wally with an incentive to cooperate, they also kidnap his two lady friends along with him. How can Wally possibly escape or warn the authorities about the pending murder?
This film is interesting and mildly funny--only mildly. This is because many of the laughs are a bit forced and Skelton's almost constant one-liners are almost never funny. I MUCH preferred Skelton's later roles, as his character was much sweeter and likable. Here, his character is unusually smart and unusually bland. As for me, I really thought the original film was far better...and is the version to see if you get a chance. However, the remake isn't bad...good enough at the time, that it spurred on two sequels--"Whistling in Dixie" (1942) and Whistling in Brooklyn (1943).
When the film begins, some evil scumbags are scamming lots of gullible ladies with their cult. However, this is no common, ordinary cult leader, as apparently he and his gang of thugs are killers! Their latest atrocity needs to be the perfect murder and instead of the boss (Conrad Veidt) planning it, he decides to force a radio program writer and performer, Wally Benton (Red Skelton) to plan this perfect killing. And, to provide Wally with an incentive to cooperate, they also kidnap his two lady friends along with him. How can Wally possibly escape or warn the authorities about the pending murder?
This film is interesting and mildly funny--only mildly. This is because many of the laughs are a bit forced and Skelton's almost constant one-liners are almost never funny. I MUCH preferred Skelton's later roles, as his character was much sweeter and likable. Here, his character is unusually smart and unusually bland. As for me, I really thought the original film was far better...and is the version to see if you get a chance. However, the remake isn't bad...good enough at the time, that it spurred on two sequels--"Whistling in Dixie" (1942) and Whistling in Brooklyn (1943).