The plot idea was sound enough (after all, it worked well for the blockbuster that inspired it). Sadly the execution was very sloppy - even by The Asylum standards.
The caricatures (you can't say that they were developed enough to be characters) never develop in any way that encourages the audience to care about them at all. As usual there is a mentally underdeveloped son in the family. I'm not sure why The Asylum is so keen on this feature. Surely they could either write the part for an older teen or cast a younger actor? They drive to the Channel Tunnel - which is strangely being guarded by Eastern Europeans in US-style combat gear. Some attempt has been made to show a location - by placing a still photo of a Eurostar sitting in the tunnel mouth. It would be still, of course, as there is no electrical overhead wiring and, as we soon discover, no track in the tunnel either seeing as they drive through it in the Eastern European-registered car that they somehow obtained in the UK.
Also, it seems that the storm is so bad that all the roads in France have vanished.
The RAF also now wear US uniforms and use American ranks (although, at least they used a couple of Brits to play the parts). Really, though, how hard would it have been to use the right uniforms and ranks? Not at all. It just emphasises how lazy the production were being.
Now, they chose to film in Hungary. How much extra would it have cost to film in the UK or France where they could have used actors with appropriate accents and uniforms? There is doing a film on the cheap, and then there is producing something so lazily that it really does not deserve to have been produced.
It is actually annoying that I know of local actors and directors who can produce films of higher standards than this on a four-figure budget, yet their work remains unbroadcast.
The caricatures (you can't say that they were developed enough to be characters) never develop in any way that encourages the audience to care about them at all. As usual there is a mentally underdeveloped son in the family. I'm not sure why The Asylum is so keen on this feature. Surely they could either write the part for an older teen or cast a younger actor? They drive to the Channel Tunnel - which is strangely being guarded by Eastern Europeans in US-style combat gear. Some attempt has been made to show a location - by placing a still photo of a Eurostar sitting in the tunnel mouth. It would be still, of course, as there is no electrical overhead wiring and, as we soon discover, no track in the tunnel either seeing as they drive through it in the Eastern European-registered car that they somehow obtained in the UK.
Also, it seems that the storm is so bad that all the roads in France have vanished.
The RAF also now wear US uniforms and use American ranks (although, at least they used a couple of Brits to play the parts). Really, though, how hard would it have been to use the right uniforms and ranks? Not at all. It just emphasises how lazy the production were being.
Now, they chose to film in Hungary. How much extra would it have cost to film in the UK or France where they could have used actors with appropriate accents and uniforms? There is doing a film on the cheap, and then there is producing something so lazily that it really does not deserve to have been produced.
It is actually annoying that I know of local actors and directors who can produce films of higher standards than this on a four-figure budget, yet their work remains unbroadcast.