Perhaps my two cents worth here might help concerning the history of this World War II propaganda film directed by Hitchcock, as I saw it on Turner Classic Movies with host Ben Mankiewicz providing background as the host. Unlike many British film makers of the era, when Hitchcock arrived in Hollywood in 1939, he did not return to England for a full five years as the war got under way. He took some heat from his countrymen for this while his own career in the States was taking off and accelerating.
When Hitchcock did return to England in 1944, he went to work on two propaganda films, basically without pay, and in the case of this film, as a tribute to the French Resistance effort. Made for the British Ministry of Information, the result was a disappointment to those in the government who were expecting a patriotic film showing the Resistance winning a great battle against huge odds with a grand, happy ending. Mankiewicz further offered that the film might possibly have never been shown in France or England at the time, shelved by the British government until the 1990's, at which time the print was restored.
Of the reviews on this board that I've read that disassociate the picture from Hitchcock's normal directing style, I would counter that it does contain elements found in many of his pictures, the most notable of which being that of an ordinary man who finds himself in an extraordinary situation. It also includes a twist in the story, in as much as the principal character Sergeant Dougall, upon reaching England via the French underground, learns that his associate Stefan who helped him escape, was actually a German agent, planted to ease his escape while acquiring vital information about French Resistance fighters and the methods they employed and the routes they used.
Granted that the exposition might have seemed slow and tedious, nevertheless I viewed this as an interesting and compelling war time drama. There's a moment when the viewer is thrown into doubt about what's going on when the French woman Jeanette visibly expresses confusion over the location where Dougall received his 'phony' message from Stefan. Staying attentive to the flashback scenes clears this up, and along with the French officer's explanation to Dougall concerning the identity of 'Stefan', makes this an effective espionage story.
When Hitchcock did return to England in 1944, he went to work on two propaganda films, basically without pay, and in the case of this film, as a tribute to the French Resistance effort. Made for the British Ministry of Information, the result was a disappointment to those in the government who were expecting a patriotic film showing the Resistance winning a great battle against huge odds with a grand, happy ending. Mankiewicz further offered that the film might possibly have never been shown in France or England at the time, shelved by the British government until the 1990's, at which time the print was restored.
Of the reviews on this board that I've read that disassociate the picture from Hitchcock's normal directing style, I would counter that it does contain elements found in many of his pictures, the most notable of which being that of an ordinary man who finds himself in an extraordinary situation. It also includes a twist in the story, in as much as the principal character Sergeant Dougall, upon reaching England via the French underground, learns that his associate Stefan who helped him escape, was actually a German agent, planted to ease his escape while acquiring vital information about French Resistance fighters and the methods they employed and the routes they used.
Granted that the exposition might have seemed slow and tedious, nevertheless I viewed this as an interesting and compelling war time drama. There's a moment when the viewer is thrown into doubt about what's going on when the French woman Jeanette visibly expresses confusion over the location where Dougall received his 'phony' message from Stefan. Staying attentive to the flashback scenes clears this up, and along with the French officer's explanation to Dougall concerning the identity of 'Stefan', makes this an effective espionage story.