"Starboard battery - Ready! Fire as your guns bare!"
Captain Horatio Hornblower is a highly entertaining big-budget Technicolor seafaring epic from 1951, starring Gregory Peck in the title-role of Captain Hornblower. This classic film is grand in all ways and is one of the very best films of it's kind, that being a naval seafaring adventure, which is similar to, but NOT a swashbuckler movie. Captain Gregory Peck runs a tight ship in this rollicking seafaring classic and was reportedly one of his favorite roles of his long and successful career. Gregory Peck and Virginia Mayo, the two leads, are the only two American actors in this movie, the rest is made of an entirely British supporting cast, which certainly helps since it's based on an English naval hero. Warner Brothers entrusted directorial duties to the eye-patch wearing veteran director Roul Walsh (so they say, he lost his right eye by "an errant jackrabbit" which jumped through the windshield of his car while driving!), who had ample experience with expensive large-scale productions. The film is a deft blend of many aspects, such as: great acting (especially Peck), terrific ship battle sequences (the last one is the best of it's kind ever filmed), miniature effects (i.e. the model ship sequences), a bit romance, great scenery/location filming and a high-spirited musical score by the relatively unknown Robert Farnon.
Taking place in the Napoleonic-era, the year 1807 to be exact. The beginning of the film captures well the air of a sickly ship that's running desperately low on provisions and to enforce the captains order aboard, we get a taste of the cat-of-nine-tails early on as well. Travelling half-way around the world, eventually arriving at the fortress one "El Supremo, Don Julian Alvarado" and unload their cargo of guns and ammo, at El Supremo's insistence they capture the Spanish galleon Nativida and turn it over to him for his intended conquests of the nearby countries of central America. However, as fate would have it, a change of sides occurs and allies they are no more and with cannons blazing, a rousing ship battle ensues - full broadside-action! Along the way they pick up "the love interest" a lovely female passenger (and her maid) one Lady Barbara Wellesley and with a boatload of horny seamen - she proves to be quite a distraction, much to the Captian's dismay, though he too has a hard time resisting her charms. Once back in England, Hornblower finds that his wife has died, but not before giving birth to a son, but with a war happening, he's soon off on another mission; that is to take a fortress and a harbor full enemy ships (and the battle sequence that erupts for this scene is truly a spectacle - thee overall best of it's kind I've ever seen and I've seen a lot of the vintage swashbuckler films). Taken prisoner with two other ship mates, they escape while en route to Paris intended to be tried and executed by the decree of Naploeon himself; in disguise they board a stolen English ship and with a crew of prisoners/sailors, they take it over and make sail for England. Ending in with the captain and his infant son, standing in the bucolic setting of a Technicolor rose garden, where then the Lady Barbara appears once again - conveniently recently widowed and presumably becomes the new Mrs. Hornblower.
Captain Horatio Hornblower: A classic and timeless film you can watch many times. A big fan of nautical films (Treasure Island, 20,000 Leagues Under The Sea, The Crimson Pirate, The 7th Voyage of Sinbad and Moby Dick - the 1950's where the best decade for such films) they don't get much better than this. With it's opulent sets and costumes, stirring ship battles and striking scenery, I find this to be one of the most handsomely-staged films from the Technicolor-era - there's no weak link in The Captain. And little not to like.....................
Captain Horatio Hornblower is a highly entertaining big-budget Technicolor seafaring epic from 1951, starring Gregory Peck in the title-role of Captain Hornblower. This classic film is grand in all ways and is one of the very best films of it's kind, that being a naval seafaring adventure, which is similar to, but NOT a swashbuckler movie. Captain Gregory Peck runs a tight ship in this rollicking seafaring classic and was reportedly one of his favorite roles of his long and successful career. Gregory Peck and Virginia Mayo, the two leads, are the only two American actors in this movie, the rest is made of an entirely British supporting cast, which certainly helps since it's based on an English naval hero. Warner Brothers entrusted directorial duties to the eye-patch wearing veteran director Roul Walsh (so they say, he lost his right eye by "an errant jackrabbit" which jumped through the windshield of his car while driving!), who had ample experience with expensive large-scale productions. The film is a deft blend of many aspects, such as: great acting (especially Peck), terrific ship battle sequences (the last one is the best of it's kind ever filmed), miniature effects (i.e. the model ship sequences), a bit romance, great scenery/location filming and a high-spirited musical score by the relatively unknown Robert Farnon.
Taking place in the Napoleonic-era, the year 1807 to be exact. The beginning of the film captures well the air of a sickly ship that's running desperately low on provisions and to enforce the captains order aboard, we get a taste of the cat-of-nine-tails early on as well. Travelling half-way around the world, eventually arriving at the fortress one "El Supremo, Don Julian Alvarado" and unload their cargo of guns and ammo, at El Supremo's insistence they capture the Spanish galleon Nativida and turn it over to him for his intended conquests of the nearby countries of central America. However, as fate would have it, a change of sides occurs and allies they are no more and with cannons blazing, a rousing ship battle ensues - full broadside-action! Along the way they pick up "the love interest" a lovely female passenger (and her maid) one Lady Barbara Wellesley and with a boatload of horny seamen - she proves to be quite a distraction, much to the Captian's dismay, though he too has a hard time resisting her charms. Once back in England, Hornblower finds that his wife has died, but not before giving birth to a son, but with a war happening, he's soon off on another mission; that is to take a fortress and a harbor full enemy ships (and the battle sequence that erupts for this scene is truly a spectacle - thee overall best of it's kind I've ever seen and I've seen a lot of the vintage swashbuckler films). Taken prisoner with two other ship mates, they escape while en route to Paris intended to be tried and executed by the decree of Naploeon himself; in disguise they board a stolen English ship and with a crew of prisoners/sailors, they take it over and make sail for England. Ending in with the captain and his infant son, standing in the bucolic setting of a Technicolor rose garden, where then the Lady Barbara appears once again - conveniently recently widowed and presumably becomes the new Mrs. Hornblower.
Captain Horatio Hornblower: A classic and timeless film you can watch many times. A big fan of nautical films (Treasure Island, 20,000 Leagues Under The Sea, The Crimson Pirate, The 7th Voyage of Sinbad and Moby Dick - the 1950's where the best decade for such films) they don't get much better than this. With it's opulent sets and costumes, stirring ship battles and striking scenery, I find this to be one of the most handsomely-staged films from the Technicolor-era - there's no weak link in The Captain. And little not to like.....................