7/10
"Our complaints are brief. We make them against the nearest wall".
20 June 2016
Warning: Spoilers
It's remarkable how interesting a war time espionage film can be, while at the same time requiring major suspension of disbelief throughout the story for various reasons. The major one here for me related to the character of actor Franchot Tone impersonating a German undercover spy. Throughout the entire film, not one German officer or soldier thought it appropriate to address him in the mother tongue. There were plenty of opportunities, as German was used sporadically in the story at various times. At least in the interest of being cautious with captured British officers around, one would think Field Marshal Rommel (Erich von Stroheim) or Lieutenant Schwengler (Peter van Eyck) might have addressed Bramble/Davos in German, especially in the early going when all the characters at the Hotel Empress would have come under suspicion.

Which brings me to my next point. You probably wouldn't need to know a thing about General Rommel to question why he would speak freely of German military strategy in the presence of English officers. I don't think so. As for the casting of Erich von Stroheim as Rommel, there was no physical resemblance to speak of. My idea for the role would have been someone like Conrad Veidt who portrayed Major Strasser in the Bogart film "Casablanca". Although with the timing of this picture, shooting schedules might have overlapped between the two.

One more thing before I'm through. I thought the gimmick with the map and the letters spelling out 'EGYPT' was a fairly clever plot element, but there again, a bit of thought brings a big question mark. Given that any of the letters on the map might have represented an area covering hundreds of square miles, the resolution for the Allies wouldn't have been as precise as the story suggests. Even given a general area in which to unearth the hidden military supplies, a fair amount of time would have been needed to discover a weapons cache.

Still, even with all the perceived glitches in the story, I fond the story intriguing enough to hold my attention. All the principals did a good job, and I particularly liked the character of Farid (Akim Tamiroff), who was downright hilarious at times under stressful circumstances. I was also moved by Bramble's response to the Alsatian maid Mouche (Anne Baxter), who had an overbearing concern for her younger brother who was a prisoner of the Nazis. It appeared Bramble made his point when he stated - "It's not one brother that matters. It's a million brothers".
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