I had never heard of this 1961 film before seeing it at the 2016 Edinburgh International Film Festival. It is not based on one of Hergé's books, but the storyline - involving a trip to İstanbul, a dilapidated boat, a South American revolution and hidden treasure - contains elements that will be familiar to anyone who has read a couple of them. It also has a definite 'feel' of 1960s films about it.
With any comic book adaptation the main issue, of course, is how close to the source material are the characters? As everyone's favourite boy reporter (sorry, Jimmy Olsen!), Jean-Pierre Talbot is game as tuppence, leaping about rocks and boats like a mountain goat, acquiting himself well in two choreographed fight scenes (even if he does seem to enjoy them more than Tintin should) and, in stripping down to a pair of tiny blue swimming shorts, showing far more skin than his pen-and-ink counterpart ever did. As Captain Haddock, Georges Wilson I found less impressive - although that may be because whenever I read one of the books Haddock always sounds, in my mind, like human foghorn Brian Blessed. Other characters appearing from the books include Professor Calculus, ineffectual policemen Thompson & Thomson (with a 'p' and without), Nestor the butler and, of course, Snowy the dog (who spends lots of his time being cradled in Tintin's arms then suddenly dropped on the floor, poor animal). Barring Tintin's blond (instead of ginger) hair, they are all styled to look very much like Hergé's illustrations - and that creates an unexpected problem, because when only they are on screen the viewer does not notice anything unusual about them, but when sharing space with characters created especially for the film, who have not been so styled, they look by comparison cartoony and unreal.
Still, this is an enjoyable film - enjoyable enough, indeed, that I shall forgive the glaring continuity error where, early in the film, Tintin says he never touches alcohol, then at the end of the adventure is seen knocking back a glass of champagne...
With any comic book adaptation the main issue, of course, is how close to the source material are the characters? As everyone's favourite boy reporter (sorry, Jimmy Olsen!), Jean-Pierre Talbot is game as tuppence, leaping about rocks and boats like a mountain goat, acquiting himself well in two choreographed fight scenes (even if he does seem to enjoy them more than Tintin should) and, in stripping down to a pair of tiny blue swimming shorts, showing far more skin than his pen-and-ink counterpart ever did. As Captain Haddock, Georges Wilson I found less impressive - although that may be because whenever I read one of the books Haddock always sounds, in my mind, like human foghorn Brian Blessed. Other characters appearing from the books include Professor Calculus, ineffectual policemen Thompson & Thomson (with a 'p' and without), Nestor the butler and, of course, Snowy the dog (who spends lots of his time being cradled in Tintin's arms then suddenly dropped on the floor, poor animal). Barring Tintin's blond (instead of ginger) hair, they are all styled to look very much like Hergé's illustrations - and that creates an unexpected problem, because when only they are on screen the viewer does not notice anything unusual about them, but when sharing space with characters created especially for the film, who have not been so styled, they look by comparison cartoony and unreal.
Still, this is an enjoyable film - enjoyable enough, indeed, that I shall forgive the glaring continuity error where, early in the film, Tintin says he never touches alcohol, then at the end of the adventure is seen knocking back a glass of champagne...