A superb political screenplay, as boasts all those films surrounding Arliss' creations of great men from the past. One of his greatest performances. Here he acts mainly with his eyes – one can almost see the wheels turning, see him thinking, plotting his next move. The great voice is there of course, but the crafty eyes carry his interpretation of the character.
The time is 1630. Arliss first appears from a distance, it could be a double, at 7 minutes into the film, but his entrance as an actor occurs at 14 minutes into the plot. Good production values. Edward Arnold believable as King Louis XIII. The plotting for power is clear and understandable as it twists and turns. Interesting that Gaston, the King's brother and lusting for power, echoes England's Henry II's proclamation re Becket, "Will no one rid me of this troublesome priest? Or words to that effect.
Interesting in that Arliss worked for both studios, Fox and 20th Century, before the merger that same year. One of the few Arliss films available commercially and recently released.
The time is 1630. Arliss first appears from a distance, it could be a double, at 7 minutes into the film, but his entrance as an actor occurs at 14 minutes into the plot. Good production values. Edward Arnold believable as King Louis XIII. The plotting for power is clear and understandable as it twists and turns. Interesting that Gaston, the King's brother and lusting for power, echoes England's Henry II's proclamation re Becket, "Will no one rid me of this troublesome priest? Or words to that effect.
Interesting in that Arliss worked for both studios, Fox and 20th Century, before the merger that same year. One of the few Arliss films available commercially and recently released.