When the brains behind a bookie racketeers the worst secretary in the world, you know he's up to something. "I'll take that girl!", determined William Holden tells curmudgeon secretarial school professor Charles Lane who is perplexed but fooled. Lucille Ball is the clumsy secretary who ruins typewriters like she was skeet shooting. Ribbons pop off their axles, the carriage shoots off like a champagne cork, and her waste basket is never empty. So in other words, she's perfect for the job of front for Holden's gambling operation.
With tough talking James Gleason and perpetually confused Frank McHugh as Holden's staff and Janis Carter as Holden's jealous girlfriend, Lucy doesn't realize what she's up against which is why she ends up doing better than anybody suspected she would. Of course, it doesn't hurt that her a uncle (George Cleveland) is a prominent judge and one of her suitors (Stephen Dunne) is the assistant D.A.
As Ball turns Bill upside down with her interference in his operation, he plots to get her to quit only to make her more determined, even though she does briefly quit after he makes a pass. This wasn't Lucy's first opportunity for wacky comedy, but the three farce comedies she made at Columbia showed the creation of Lucy Ricardo, Carmichael and Carter. Gleason and Carter get some really good lines, while it's ironic to see Lucy with Lane (who appeared on a majority of her sitcoms) and Holden who was memorable as himself on one of "I Love Lucy's" most notable episodes. This rates A+ as a smart comedy about corruption, with city slickers of tough attitudes deliciously taken down several notches thanks to "that girl".
With tough talking James Gleason and perpetually confused Frank McHugh as Holden's staff and Janis Carter as Holden's jealous girlfriend, Lucy doesn't realize what she's up against which is why she ends up doing better than anybody suspected she would. Of course, it doesn't hurt that her a uncle (George Cleveland) is a prominent judge and one of her suitors (Stephen Dunne) is the assistant D.A.
As Ball turns Bill upside down with her interference in his operation, he plots to get her to quit only to make her more determined, even though she does briefly quit after he makes a pass. This wasn't Lucy's first opportunity for wacky comedy, but the three farce comedies she made at Columbia showed the creation of Lucy Ricardo, Carmichael and Carter. Gleason and Carter get some really good lines, while it's ironic to see Lucy with Lane (who appeared on a majority of her sitcoms) and Holden who was memorable as himself on one of "I Love Lucy's" most notable episodes. This rates A+ as a smart comedy about corruption, with city slickers of tough attitudes deliciously taken down several notches thanks to "that girl".