'Small Town Girl' is a pleasant and entertaining film, but it is a case of some parts faring much better than others.
One shouldn't expect too much from the story, which makes even the thinnest of ice seem thick in comparison and is so old-fashioned with very little variation that in the non-singing and dancing moments one can hear the creaks. Or the script, which does have some light-hearted moments and some sweet and amusing comedy but the more romantic parts lack warmth and momentum, and don't go looking for depth (know this is not the kind of film, but even for a comedy/musical/romance there is a lot of fluff and pleasant moments but not much more than that.
The supporting cast do fare much better than the leads. Bobby Van is an energetic charmer and Ann Miller is a sheer delight. Hearing Nat King Cole sing is always a pleasure, and S.Z. Sakall and Billie Burke sparkle. To be honest Van and Miller would have made better leads perhaps than Jane Powell and Farley Granger, whose performances or scenes are nowhere near as good or as memorable.
The problem by all means does not lie with Powell, who is cute as a button and radiates in charm, her voice bell-like in its clarity. The problems are her lack of chemistry with Granger, one gets the sense that they either didn't have much rehearsal or didn't get on, and with Granger, who is handsome but is a complete blank and looks like he took part in a bet, lost it and is regretting it on screen or something because he doesn't look as though he is enjoying himself one bit and it's draining to watch.
It is Van and Miller that bag 'Small Town Girl's' best scenes. For me, Miller's ingenious routine in "I've Gotta Hear that Beat" (one of my favourite dance numbers from her, and this is from such a talented performer whose dancing and routines were highlights in films she appeared in) is the highlight. Will admit to have not always liked Van's hopping routine in "Take Me to Broadway", on first viewing (which actually wasn't from this film, it was when it was featured in 'That's Entertainment II') it seemed bizarre and too silly a scene but on repeat viewing it is actually a lot of fun and the energy is astounding, whatever opinion one has of the number that it won't be easily forgotten is undeniable.
Cole's soulfully beautiful rendition of "My Flaming Heart", with Cole sounding as dreamlike as always, is another highlight. The scene does feel thrown in somewhat but when it features such a lovely song so beautifully performed that is forgiven very quickly. 'Small Time Town' looks great with the cinematography and costumes being especially pleasing, and while the songs themselves are not exactly timeless (as good as "My Flaming Heart" is, it's not one of Cole's greatest hits in a list that includes "When I Fall in Love" and "Unforgettable") they are very easy on the ear and they along with the dances accompanying them provide the energy, momentum and emotional impact lacking elsewhere in the film.
All in all, a decent film that is worth seeing for the supporting cast and the dance sequences but anybody wanting a good story, depth good lead performances and chemistry between the leads will find themselves short-changed. 6/10 Bethany Cox
One shouldn't expect too much from the story, which makes even the thinnest of ice seem thick in comparison and is so old-fashioned with very little variation that in the non-singing and dancing moments one can hear the creaks. Or the script, which does have some light-hearted moments and some sweet and amusing comedy but the more romantic parts lack warmth and momentum, and don't go looking for depth (know this is not the kind of film, but even for a comedy/musical/romance there is a lot of fluff and pleasant moments but not much more than that.
The supporting cast do fare much better than the leads. Bobby Van is an energetic charmer and Ann Miller is a sheer delight. Hearing Nat King Cole sing is always a pleasure, and S.Z. Sakall and Billie Burke sparkle. To be honest Van and Miller would have made better leads perhaps than Jane Powell and Farley Granger, whose performances or scenes are nowhere near as good or as memorable.
The problem by all means does not lie with Powell, who is cute as a button and radiates in charm, her voice bell-like in its clarity. The problems are her lack of chemistry with Granger, one gets the sense that they either didn't have much rehearsal or didn't get on, and with Granger, who is handsome but is a complete blank and looks like he took part in a bet, lost it and is regretting it on screen or something because he doesn't look as though he is enjoying himself one bit and it's draining to watch.
It is Van and Miller that bag 'Small Town Girl's' best scenes. For me, Miller's ingenious routine in "I've Gotta Hear that Beat" (one of my favourite dance numbers from her, and this is from such a talented performer whose dancing and routines were highlights in films she appeared in) is the highlight. Will admit to have not always liked Van's hopping routine in "Take Me to Broadway", on first viewing (which actually wasn't from this film, it was when it was featured in 'That's Entertainment II') it seemed bizarre and too silly a scene but on repeat viewing it is actually a lot of fun and the energy is astounding, whatever opinion one has of the number that it won't be easily forgotten is undeniable.
Cole's soulfully beautiful rendition of "My Flaming Heart", with Cole sounding as dreamlike as always, is another highlight. The scene does feel thrown in somewhat but when it features such a lovely song so beautifully performed that is forgiven very quickly. 'Small Time Town' looks great with the cinematography and costumes being especially pleasing, and while the songs themselves are not exactly timeless (as good as "My Flaming Heart" is, it's not one of Cole's greatest hits in a list that includes "When I Fall in Love" and "Unforgettable") they are very easy on the ear and they along with the dances accompanying them provide the energy, momentum and emotional impact lacking elsewhere in the film.
All in all, a decent film that is worth seeing for the supporting cast and the dance sequences but anybody wanting a good story, depth good lead performances and chemistry between the leads will find themselves short-changed. 6/10 Bethany Cox