Mrs. Pringle (Elizabeth Davis) owns a wig shop in a little town in Florida, but she is a demented woman who lives with her mentally disabled son, Rodney (Chris Martell), in a home where she rents rooms to young co-eds attending the local university.
"Gruesome Twosome" was developed in part because exhibitors were telling H. G. Lewis that his films did not have enough blood, leading him to make this gory film. This request is ironic in that "Blood Feast" (1963) was seen as too bloody just a few years before. He went from pioneering the gore movement to being seen as too light! This film corrected that.
Although I have been a fan of Lewis for many years, even publishing an article on his "Gore Gore Girls", I had not seen this film until Arrow Video put it out as part of their "Feast" collection. I can only imagine how rough previous copies are, because even with their painstaking efforts, the sound and picture are pretty rough. The physical film must have been rotting away, fading and getting holes.
Some have praised the film, but I find it to be one of his weaker entries. The introduction was made later to pad the picture, and it shows. But much of the film seems like padding. The dance scene, the long trailing by Kathy Baker (Gretchen Wells in her only role) of the college janitor... the film could easily have been better paced at under an hour.
Other filler includes some shots of Ray Sager ("Wizard of Gore") eating potato chips for no reason. Reflecting years later, Lewis admits he spent too much time on "the periphery" with things "not germane to the plot", but Lewis feels this had the unintended effect of giving audiences a recovery period between gore shots. He may be right, but it would have been nice if the time was filled with plot and not filler.
The strength comes in the gore. While the effects are in some ways pretty awful, such as the clear use of wigs for the victims being scalped, the actual blood and guts is very much ahead of its time and of course became Lewis' hallmark. Sure, a "dead" girl may be seen blinking her eyes, but at least the audiences were grossed out.
The Blu-ray from Arrow Video is pretty good. The picture and sound, as noted above, is far from perfect, but it is probably the best version released to date. The audio commentary is full of wonderful stories, including great asides about the "Blood Shed Theater" in Chicago. Some of the other features are unusual... an interview with filmmaker Peaches Christ seems out of place. A short piece on low budget films that came from Florida is really good, but not nearly long enough. A segment with an interview of Lewis on "censors" turns into more of a rant on his views of Facebook, which is a bit obscure.
"Gruesome Twosome" was developed in part because exhibitors were telling H. G. Lewis that his films did not have enough blood, leading him to make this gory film. This request is ironic in that "Blood Feast" (1963) was seen as too bloody just a few years before. He went from pioneering the gore movement to being seen as too light! This film corrected that.
Although I have been a fan of Lewis for many years, even publishing an article on his "Gore Gore Girls", I had not seen this film until Arrow Video put it out as part of their "Feast" collection. I can only imagine how rough previous copies are, because even with their painstaking efforts, the sound and picture are pretty rough. The physical film must have been rotting away, fading and getting holes.
Some have praised the film, but I find it to be one of his weaker entries. The introduction was made later to pad the picture, and it shows. But much of the film seems like padding. The dance scene, the long trailing by Kathy Baker (Gretchen Wells in her only role) of the college janitor... the film could easily have been better paced at under an hour.
Other filler includes some shots of Ray Sager ("Wizard of Gore") eating potato chips for no reason. Reflecting years later, Lewis admits he spent too much time on "the periphery" with things "not germane to the plot", but Lewis feels this had the unintended effect of giving audiences a recovery period between gore shots. He may be right, but it would have been nice if the time was filled with plot and not filler.
The strength comes in the gore. While the effects are in some ways pretty awful, such as the clear use of wigs for the victims being scalped, the actual blood and guts is very much ahead of its time and of course became Lewis' hallmark. Sure, a "dead" girl may be seen blinking her eyes, but at least the audiences were grossed out.
The Blu-ray from Arrow Video is pretty good. The picture and sound, as noted above, is far from perfect, but it is probably the best version released to date. The audio commentary is full of wonderful stories, including great asides about the "Blood Shed Theater" in Chicago. Some of the other features are unusual... an interview with filmmaker Peaches Christ seems out of place. A short piece on low budget films that came from Florida is really good, but not nearly long enough. A segment with an interview of Lewis on "censors" turns into more of a rant on his views of Facebook, which is a bit obscure.