Seven Sinners (1940)
5/10
She's as true to the navy as they are to her.
14 December 2016
Warning: Spoilers
I'm "Falling in Love Again" with Marlene Dietrich, focusing on her three films with "the duke", John Wayne. They were made during his rise to box office success after "Stagecoach" and her attempt to get over the stigma of being named box office poison the year before after ending her long association with Joseph Von Sternberg. She scored a huge hit with "Destry Rides Again" as the glamorous Frenchie, and now she's gone from the wild west to the south seas as the glamorously dressed Bijou, a notorious character kicked off island after island, and protected by a group of devoted groupies, among them Broderick Crawford and Mischa Auer. Settling back on an island with a new governor, she is reunited with old boss Billy Gilbert and sets her romantic sights on naval officer John Wayne who's already escorting around the governor's daughter, Anna Lee.

Exotic sets, a few songs, amusing dialog and a camp story makes this fun viewing for the fans of Dietrich and the Duke. Ms. Lee, of "General Hospital" fame, offers a unique contrary persona to Dietrich's. Marlene gets to sing the standard, "I Can't Give You Anything But Love" as well as a catchy naval song. She's dressed to the nines, full of mischief and pretty much the reason for tuning in, although with that supporting cast, there's amusement every step of the ride. Wayne basically phones in his performance, with nothing much to do but provide romantic support to the dynamic leading lady until confronting the villain (Oscar Homolka) at the end in a fight sequence that would be repeated in his next two outings with Dietrich as well, "The Spoilers" and "Pittsburgh".

There's a pre-story where she charges her way through into the office of a delusioned ship's doctor (Albert Dekker) who falls for her instantly but must go on to his next destination, leaving Dietrich free to roam around her old stomping grounds until she gets into more trouble. The fight at the end is gloriously filmed with the camera often sped up, some humor thrown in and a shocking bit of violence that was never resolved. However, Dietrich seems to be having the best time in making this, and a few subtle references indicate that the story was influenced by some of her earlier works. Vince Barnett is very funny as a bartender who keeps changing his coat in order to avoid being hit when the final fight breaks out.
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