... and I don't mean the 1960s. Spring Byington is in the title role living with son Ronald Reagan and his family. Louisa is urged to get some interests outside the family, but be careful what you ask for.
Louisa ends up getting fought over romantically by charming grocer Henry Hammond (Edmund Gwenn) and Type-A tycoon (and Ronnie's boss) Abel Burnside (Charles Coburn). This puts Ronnie in a delicate dilemma. The guys are wonderful as immature cut-ups and Louisa's teen-aged granddaughter, Cathy (Piper Laurie, in her screen debut) and her brilliant geek boyfriend Jimmy,(Scotty Beckett) are a great contrast in young love. It all takes place in a town ironically called Pleasantville. Watch for the charming bit of Americana with the Community Square Dance and the 'dancing under the bar' competition. It's a hoot!
When Louisa finally picks one of the guys, the other one investigates and finds out that the winner has been married four times! And never divorced! Is this feel good film about to turn into a film noir? Watch and find out.
Recommended as a great film that proves some good things happened at Universal after the Laemmles lost the studio in 1936, and before Rock Hudson and Douglas Sirk showed up, besides just Abbott and Costello.
Louisa ends up getting fought over romantically by charming grocer Henry Hammond (Edmund Gwenn) and Type-A tycoon (and Ronnie's boss) Abel Burnside (Charles Coburn). This puts Ronnie in a delicate dilemma. The guys are wonderful as immature cut-ups and Louisa's teen-aged granddaughter, Cathy (Piper Laurie, in her screen debut) and her brilliant geek boyfriend Jimmy,(Scotty Beckett) are a great contrast in young love. It all takes place in a town ironically called Pleasantville. Watch for the charming bit of Americana with the Community Square Dance and the 'dancing under the bar' competition. It's a hoot!
When Louisa finally picks one of the guys, the other one investigates and finds out that the winner has been married four times! And never divorced! Is this feel good film about to turn into a film noir? Watch and find out.
Recommended as a great film that proves some good things happened at Universal after the Laemmles lost the studio in 1936, and before Rock Hudson and Douglas Sirk showed up, besides just Abbott and Costello.