The young miss Julie (Anita Bjork) lives in a mansion with her father. She has recently broken her engagement but is attracted to one of the servants, Jean. They spend the midsummer night together, telling each other their memories and of their dreams. Realizing that an affair between a man of the people and an aristocrat is impossible, they plan to escape to Switzerland.
This film had an interesting influence abroad. Alfred Hitchcock said he had hired Björk as the female lead for "I Confess" in 1952, after seeing her in "Miss Julie". However, when Björk arrived in Hollywood with her lover Stig Dagerman and their baby, Jack Warner, head of Warner Brothers, insisted that Hitchcock find another actress.
What makes this is a great film, beyond the absolutely gorgeous cinematography, is the intrinsic idea of class division. It had been done before and has been done since, but it is a theme that seems to be eternal and always a joy to watch when properly executed.
This film had an interesting influence abroad. Alfred Hitchcock said he had hired Björk as the female lead for "I Confess" in 1952, after seeing her in "Miss Julie". However, when Björk arrived in Hollywood with her lover Stig Dagerman and their baby, Jack Warner, head of Warner Brothers, insisted that Hitchcock find another actress.
What makes this is a great film, beyond the absolutely gorgeous cinematography, is the intrinsic idea of class division. It had been done before and has been done since, but it is a theme that seems to be eternal and always a joy to watch when properly executed.