Signalling the film directorial debut of Terry Gilliam, it is somewhat fair to say that he did go on to much better things since. This said, 'Jabberwocky' is not a film to be avoided, it is not for all tastes and is wildly uneven but to me there were enough good things to be a better film than reputed.
It is easy to see why 'Jabberwocky' is remembered fondly, while most in question still acknowledge that it has faults, while it is every bit as easy to see why people may have a mixed view or dislike it. Despite how it was advertised, 'Jabberwocky' is not a Monty Python film and has very little in common with Monty Python, other than the involvement of Michael and Terry Jones (in a small cameo) and that the sets are reminiscent of the ones in 'Monty Python and the Holy Grail'.
'Jabberwocky' is by no means perfect. The story often is in serious need of a tightening up and trimming pacing-wise and is told in a way that's messy (with some lack of cohesiveness) and meandering. The humour is wildly variable, with too much of it being too silly and in poor taste (the character of Griselda leaves a bad taste in the mouth). Gilliam's film directing experience shows in some lethargic pacing, lagging comic timing and lack of visual and stylistic care.
Production values are mostly not great, with the low budget coming through loud and clear. Not in the costumes and sets, they're pretty stunning in fact while also being successful in showing that the medieval age was less than glamorous in many ways. The titular monster actually doesn't look too bad considering and credit is due in making it look like the illustrations of John Tenniel. Less good are the slapdash editing, shoddy and unfocused photography (apart from the odd handsome and atmospheric part), dim lighting and the sense of being under-rehearsed.
However, the soundtrack is great with inspired use of two of Mussorgsky's best known works "Night on Bare Mountain" and "The Great Gate of Kiev", amongst others. There are moments in the script that are genuinely funny and witty with a perceptive touch, some of the gags are amusing and some parts are wonderfully dark and brutal.
The conclusion is fun and perceptive, while the atmosphere of the Medieval era is brilliantly evoked. The production design, occasional parts of the photography and the Jabberwocky design are surprisingly good.
Meanwhile the cast do a good job with what they have, making the most of their characters. Max Wall is particularly uproarious and Michael Palin is an appealing hero. Bernard Bresslaw and Harry H. Corbett do well too. Terry Jones overdoes it somewhat in his cameo and Annette Badland is all shock value and not much else.
In conclusion, very uneven, very chaotic but not without its fun moments. 6/10 Bethany Cox
It is easy to see why 'Jabberwocky' is remembered fondly, while most in question still acknowledge that it has faults, while it is every bit as easy to see why people may have a mixed view or dislike it. Despite how it was advertised, 'Jabberwocky' is not a Monty Python film and has very little in common with Monty Python, other than the involvement of Michael and Terry Jones (in a small cameo) and that the sets are reminiscent of the ones in 'Monty Python and the Holy Grail'.
'Jabberwocky' is by no means perfect. The story often is in serious need of a tightening up and trimming pacing-wise and is told in a way that's messy (with some lack of cohesiveness) and meandering. The humour is wildly variable, with too much of it being too silly and in poor taste (the character of Griselda leaves a bad taste in the mouth). Gilliam's film directing experience shows in some lethargic pacing, lagging comic timing and lack of visual and stylistic care.
Production values are mostly not great, with the low budget coming through loud and clear. Not in the costumes and sets, they're pretty stunning in fact while also being successful in showing that the medieval age was less than glamorous in many ways. The titular monster actually doesn't look too bad considering and credit is due in making it look like the illustrations of John Tenniel. Less good are the slapdash editing, shoddy and unfocused photography (apart from the odd handsome and atmospheric part), dim lighting and the sense of being under-rehearsed.
However, the soundtrack is great with inspired use of two of Mussorgsky's best known works "Night on Bare Mountain" and "The Great Gate of Kiev", amongst others. There are moments in the script that are genuinely funny and witty with a perceptive touch, some of the gags are amusing and some parts are wonderfully dark and brutal.
The conclusion is fun and perceptive, while the atmosphere of the Medieval era is brilliantly evoked. The production design, occasional parts of the photography and the Jabberwocky design are surprisingly good.
Meanwhile the cast do a good job with what they have, making the most of their characters. Max Wall is particularly uproarious and Michael Palin is an appealing hero. Bernard Bresslaw and Harry H. Corbett do well too. Terry Jones overdoes it somewhat in his cameo and Annette Badland is all shock value and not much else.
In conclusion, very uneven, very chaotic but not without its fun moments. 6/10 Bethany Cox