Separated from his stepdaughter, raised for eight years as his own, after the girl's mother dies in a car crash, a pianist begins to mistake his fatherly affection towards her for romantic love, which causes a problem since the girl feels the same way and is set on taking her mother's place in this controversial Bertrand Blier film. The movie is actually far less sleazy than it might sound from the outset; there is relatively little in the way of nudity and lovemaking with the film instead focused on the mental dynamics between the pair, neither quite sure how properly express their strong feelings for one another. Things seem to get even more interesting as the girl's birth father catches on to how intimate the pair have become since the mother's death, and yet the film's meandering second half does the material no justice. There is so much build-up and tension leading up to the pair taking things too far that the film has trouble refocusing afterwards. That said, the movie ends on a pitch perfect suggestive final note. The gliding cinematography courtesy of the legendary Sacha Vierny is also excellent throughout with mirrored surfaces nicely favoured for a film about two individuals forced to reflect upon themselves. Blier additionally uses an interesting technique of having a handful of characters talk to the camera to provide narration, though the inconsistency of the narration is a tad jarring.
