Despite being a huge classic film fan, it took me a while to get round to watching 'The Song of Bernadette'. Partly because of being so busy, but also, although being an admirer of a lot of the cast and crew, finding that the subject matter didn't appeal to me for a while.
Goodness knows why though, because finally getting round to it 'The Song of Bernadette' was a miracle of a film. Sure it is a long film, perhaps a little too long (the only thing that counts as a debit against it for me, and it is so small because what it does right is enough to fill a novel), but contrary to one might think its point of view that it portrays is valid and very sincerely put across, not heavy-handedly or in a way that's biased. It also, from personal view, doesn't contrive to move audiences, or convert viewers and sceptics to its way of thinking. The emotional impact comes from how well it explores its subject matter and how much the sincerity and poignancy shines through every frame and performance.
Before one forgets, 'The Song of Bernadette' is a surprisingly quite faithful account of the story of Bernadette Soubirous, which is an amazing story in itself, some may ask how idealised it is, actually considering other films based on true stories/history etc and the subject matter it doesn't actually feel that idealistic. It manages to do the seemingly impossible in making capture the main events, spirit, background and atmosphere of Werfel's novel and making everything cohesive while condensing things necessarily to the point from a book so rich in detail to the point of bloat.
There are so many that make 'The Song of Bernadette' a film miracle. The luminous black and white photography wholly deserved its Oscar, that, the atmospheric lighting and sumptuous production values help make 'The Song of Bernadette' one of that year's (that half of the decade even too) most visually beautiful films. Alfred Newman's score adds so much to the film to the extent that the film may have been a completely different one without it, and it's hardly surprising it's garnered a soundtrack album of its own considering how well it stands up as music on its own. It's stirring and achingly gorgeous music, some of my favourite work of his.
Scripting doesn't resort to preachy sermonising or bias, instead it's very intelligently written and as aforementioned the argument it makes is valid and sincere, and it makes sense. The dialogue itself does provoke thought some time after. The story is incredibly moving and inspiring, also being careful not to paint its characters too black and white. Despite being a long film, the production values, music and performances are so wonderful, Henry King's direction so sensitive and the emotions so high that one is riveted throughout.
Jennifer Jones, in her debut performance (in her own name that is, having done a few other previous projects under a different name), seldom gave a more touching or better performance, of her five Oscar nominations this was the only time she won one and it was a very deserved win from personal view.
In support she is particularly well aided by Gladys Cooper, on fiery form, Vincent Price, impeccably giving his character menacing colour and unusual restraint, and Charles Bickford, suitably sympathetic. The Virgin is sincerely portrayed as a symbol of hope by Linda Darnell, am also of the opinion that the film and role were not trying to say anything comparing who was greater between Mary and Jesus, it was just a symbol.
Overall, a miracle of a film. Whether one is converted is very dependent on the person, personally I watched 'The Song of Bernadette' expecting to be challenged but still admire it a good deal, finished it feeling very moved and inspired. 10/10 Bethany Cox
Goodness knows why though, because finally getting round to it 'The Song of Bernadette' was a miracle of a film. Sure it is a long film, perhaps a little too long (the only thing that counts as a debit against it for me, and it is so small because what it does right is enough to fill a novel), but contrary to one might think its point of view that it portrays is valid and very sincerely put across, not heavy-handedly or in a way that's biased. It also, from personal view, doesn't contrive to move audiences, or convert viewers and sceptics to its way of thinking. The emotional impact comes from how well it explores its subject matter and how much the sincerity and poignancy shines through every frame and performance.
Before one forgets, 'The Song of Bernadette' is a surprisingly quite faithful account of the story of Bernadette Soubirous, which is an amazing story in itself, some may ask how idealised it is, actually considering other films based on true stories/history etc and the subject matter it doesn't actually feel that idealistic. It manages to do the seemingly impossible in making capture the main events, spirit, background and atmosphere of Werfel's novel and making everything cohesive while condensing things necessarily to the point from a book so rich in detail to the point of bloat.
There are so many that make 'The Song of Bernadette' a film miracle. The luminous black and white photography wholly deserved its Oscar, that, the atmospheric lighting and sumptuous production values help make 'The Song of Bernadette' one of that year's (that half of the decade even too) most visually beautiful films. Alfred Newman's score adds so much to the film to the extent that the film may have been a completely different one without it, and it's hardly surprising it's garnered a soundtrack album of its own considering how well it stands up as music on its own. It's stirring and achingly gorgeous music, some of my favourite work of his.
Scripting doesn't resort to preachy sermonising or bias, instead it's very intelligently written and as aforementioned the argument it makes is valid and sincere, and it makes sense. The dialogue itself does provoke thought some time after. The story is incredibly moving and inspiring, also being careful not to paint its characters too black and white. Despite being a long film, the production values, music and performances are so wonderful, Henry King's direction so sensitive and the emotions so high that one is riveted throughout.
Jennifer Jones, in her debut performance (in her own name that is, having done a few other previous projects under a different name), seldom gave a more touching or better performance, of her five Oscar nominations this was the only time she won one and it was a very deserved win from personal view.
In support she is particularly well aided by Gladys Cooper, on fiery form, Vincent Price, impeccably giving his character menacing colour and unusual restraint, and Charles Bickford, suitably sympathetic. The Virgin is sincerely portrayed as a symbol of hope by Linda Darnell, am also of the opinion that the film and role were not trying to say anything comparing who was greater between Mary and Jesus, it was just a symbol.
Overall, a miracle of a film. Whether one is converted is very dependent on the person, personally I watched 'The Song of Bernadette' expecting to be challenged but still admire it a good deal, finished it feeling very moved and inspired. 10/10 Bethany Cox