Although broadcast on Sept 3 1976, "Death at Love House" carries a 1975 copyright, an indication that, for once, producer Aaron Spelling figured he had a real loser on his hands (this wasn't "Crowhaven Farm"). It works to some extent as nostalgia, aided by some expert casting and shooting on the fabulous Harold Lloyd Greenacres estate. What doesn't work is just about everything else, in particular the poorly filmed footage meant to be from the 1920s, which looks as modern as actress Mariana Hill, whose unspectacular career would end sooner than veteran costars Sylvia Sidney and Dorothy Lamour. Robert Wagner also looks out of place in the flashbacks, and not too well in the current storyline, leaving the dependable Kate Jackson to do all the heavy lifting, with an assist from MAUDE's Bill Macy. Wagner and Jackson are not only married, they are also collaborating on a biography of the mysterious Lorna Love (Mariana Hill), a Clara Bow-type silent screen siren adored by all, except for the few who really got to know her well before her untimely death. As movie director Conan Carroll, who had actually been in love with Lorna before she betrayed him for another, John Carradine is able to share some of his bitterness with the would-be authors before expiring near Lorna's shrine of beauty. Dorothy Lamour gets good mileage as Lorna's greatest screen rival, and ever vivacious Joan Blondell displays her darling dimples yet again as the president of Lorna's now defunct fan club. The prime cast member turns out to be Sylvia Sidney, her career actually dating back to the 20s, as the longtime caretaker of Lorna's estate, who knows just how deeply the star truly loved her departed Joel, lookalike father of Robert Wagner's character. Had there been more meat in the script we might have had reason to fear as Kate Jackson does, but Wagner's writer comes off as a cold fish, hardly worthy of any women's eternal devotion. As weak as the whole thing plays out (nothing supernatural or ghostly goings on) the climactic twist is actually worth the wait, though DARK SHADOWS veteran Kate deserved better, and had shared the screen with Carradine in one episode of her earlier triumph THE ROOKIES, just before CHARLIE'S ANGELS took off.
Review of Death at Love House
