Director Kenji Mizoguchi's film is based on the 18th century supernatural stories in the Ugetsu Monogatari (Tales of Moonlight and Rain), and takes place during civil warfare in 16th century Japan. Despite the concerns of his wife, a potter seeks to take risks and profit from the chaos of war. His friend has the desperate ambition to become a samurai, despite not being of the right class or even possessing the armor necessary. It's this desire for money and fame, as opposed to being cautious and content, that will prove to be the men's undoing. The potter will meet a young woman from a market who turns out to be an alluring phantom, a Japanese Circe of sorts, and so the desire for sensual pleasure is added to these temptations.
Machiko Kyo plays Lady Wakasa, the temptress, and it's interesting as her true nature and emotions are gradually revealed. Unfortunately the role of the would-be samurai is comically overacted by Eitaro Ozawa, which took away from my enjoyment. There are some beautiful shots, such as a boat slowly disappearing into the mist and fog, as well as great moments, such as when the samurai reunites with his wife under very different circumstances (which I won't spoil), and the film is certainly well done and worth watching. However, the story is a bit too much of a morality tale for my taste: the men put their wives at risk through the temptations of money, fame, and sex, and, well, of course bad things happen. The film clearly has a place in film history, but I find it hasn't aged as well as other classics.
Machiko Kyo plays Lady Wakasa, the temptress, and it's interesting as her true nature and emotions are gradually revealed. Unfortunately the role of the would-be samurai is comically overacted by Eitaro Ozawa, which took away from my enjoyment. There are some beautiful shots, such as a boat slowly disappearing into the mist and fog, as well as great moments, such as when the samurai reunites with his wife under very different circumstances (which I won't spoil), and the film is certainly well done and worth watching. However, the story is a bit too much of a morality tale for my taste: the men put their wives at risk through the temptations of money, fame, and sex, and, well, of course bad things happen. The film clearly has a place in film history, but I find it hasn't aged as well as other classics.