John Ford directed this adaptation of a hit play about a family of dirt poor toothless Southern farmers. Charley Grapewin is great and carries the film on his shoulders. Elizabeth Patterson gives an enjoyable (and sometimes sensitive) turn as his wife. William Tracy plays a savage character who grates on the nerves but he does a good job at it. Ward Bond is funny as a neighbor married to one of their daughters. He has the movie's most crowd-pleasing scene when he puts Tracy in his place. Dana Andrews and Gene Tierney have small roles. I think Tierney spoke less than twenty words the whole film.
Any comparison between this film and Ford's classic from the year before, Grapes of Wrath, is absurd. Beyond the very superficial similarities, they are nothing alike. This doesn't have the gravitas or artistry of that film. The closest it comes is the scene when Grapewin and Patterson talk about two of their children who left home and never returned. The rest is a grotesque comedy about people that are almost cartoon characters more than humans.
Obviously not for the easily offended among us. This film peddles in just about every Southern stereotype you can think of. Having grown up in the South with relatives not too far removed from the types of characters displayed in this, I'm not really bothered by it. Stereotypes generally have some basis in truth, no matter how much we don't want to admit it. Amusing at times, moving once or twice, but not the masterpiece it wants to be. See it for Grapewin's energetic performance if nothing else.
Any comparison between this film and Ford's classic from the year before, Grapes of Wrath, is absurd. Beyond the very superficial similarities, they are nothing alike. This doesn't have the gravitas or artistry of that film. The closest it comes is the scene when Grapewin and Patterson talk about two of their children who left home and never returned. The rest is a grotesque comedy about people that are almost cartoon characters more than humans.
Obviously not for the easily offended among us. This film peddles in just about every Southern stereotype you can think of. Having grown up in the South with relatives not too far removed from the types of characters displayed in this, I'm not really bothered by it. Stereotypes generally have some basis in truth, no matter how much we don't want to admit it. Amusing at times, moving once or twice, but not the masterpiece it wants to be. See it for Grapewin's energetic performance if nothing else.