Kim Byung-doo is the eldest son of his family, with two more brothers and a sick mother, their responsibility to provide for their livelihoods and health pressure more and more. For some time involved in the local mafia, our protagonist even reached a certain success, being the head of a subgroup. But that's not financially enough, Kim lives a life as good as or worse than people his age, and the prospect of growing up in the mafia shrinks to the point that his "supervisor" is a chupim and fears to put him in a more relevant role.
While this is taking place, his classmates make a reunion. There he reviews his high school passion and also an old friend, now a young filmmaker. This school reunion will draw two more points from the story, the relationship with Hyun-ju and the resumption of friendship with Min-ho.
Throughout history, the Mafia president suffers with a small problem and scale Kim to solve it. The solution involves the murder of a prestigious prosecutor. The young gangster takes care of the service and immediately suffers an existential crisis. He begins to weigh his poor family, his old love that does not sympathize with being a thug and the very fact of killing an innocent person. Distraught, Kim goes to Hyun-ju's house, which readily offers a friendly shoulder.
Hyun-ju managed to produce some things, but nothing relevant. He has been working on a screenplay for a long time, demonstrating the life of gangsters. Its versions are discarded in sequence, lack truth in the text, according to the producer. The friend's shoulder resolves to appropriate Kim's confidences and rewrite his final script in a new outfit.
The death of the promoter and the final script brings problems for all involved directly and splashes in the others. Despite the existence of many films about the genre, Biyeolhan geori surprises by treating the subject in another way, with originality and script that interconnects all the subplots with harmony. As typical of Korean cinema, the photograph is beautiful and well marks the efficient direction of the film. Unlike his countrymen, the film does not gush blood or feelings, his biggest bet is on human relations and the limit to conquer what is desired.
While this is taking place, his classmates make a reunion. There he reviews his high school passion and also an old friend, now a young filmmaker. This school reunion will draw two more points from the story, the relationship with Hyun-ju and the resumption of friendship with Min-ho.
Throughout history, the Mafia president suffers with a small problem and scale Kim to solve it. The solution involves the murder of a prestigious prosecutor. The young gangster takes care of the service and immediately suffers an existential crisis. He begins to weigh his poor family, his old love that does not sympathize with being a thug and the very fact of killing an innocent person. Distraught, Kim goes to Hyun-ju's house, which readily offers a friendly shoulder.
Hyun-ju managed to produce some things, but nothing relevant. He has been working on a screenplay for a long time, demonstrating the life of gangsters. Its versions are discarded in sequence, lack truth in the text, according to the producer. The friend's shoulder resolves to appropriate Kim's confidences and rewrite his final script in a new outfit.
The death of the promoter and the final script brings problems for all involved directly and splashes in the others. Despite the existence of many films about the genre, Biyeolhan geori surprises by treating the subject in another way, with originality and script that interconnects all the subplots with harmony. As typical of Korean cinema, the photograph is beautiful and well marks the efficient direction of the film. Unlike his countrymen, the film does not gush blood or feelings, his biggest bet is on human relations and the limit to conquer what is desired.