Not since President Harrison Ford battled terrorists aboard "Air Force One" has a U.S. movie president faced the peril that challenges President Jamie Foxx in "White House Down." An unidentified group detonates a bomb in the U.S. Capitol Building, then takes hostages in the White House and shoots up the historic mansion, destroying priceless artifacts and paintings to the chagrin of a tour guide. Audiences know what they want from a Roland Emmerich movie, and "White House Down" delivers the goods; rapid cutting, action, explosions, gun battles, cheering onlookers, wise-ass heroes and bad-ass villains.
Clichés abound; from a troubled father-daughter relationship to an expository job interview that details the hero's past and a White House tour that fills in the history of the presidential mansion, the plot inches forward until the explosions literally begin. However, logic and plausibility also evaporate as the pace accelerates. While metal detectors screen visitors, the terrorists have an arsenal of automatic weapons already in the White House. While bullets fly and White House staff and visitors cower and flee, a young girl records everything on video for her on-line blog. Preposterous would come to mind, if the action allowed viewers to pause and think for a moment.
The cast of professionals is capable for this type of film. Headed by Channing Tatum, who sports a fetching sleeveless tunic to highlight his biceps, is the negligent father, caught in the dire White House situation with his blogger daughter. Jamie Foxx is fine as the President, while Maggie Gyllenhaal and Richard Jenkins both try to rise above the trite material, which was written by James Vanderbilt. Always fun to watch, James Woods manages to chew on the government-issue scenery in a showy role. The current resident of the White House, who claims ignorance of the 25th Amendment, should catch this film as that amendment is cited several times.
Audiences for a Roland Emmerich movie know what they want, and "White House Down" will deliver the goods for them. However, after two hours plus of mindless action, plot holes big enough to swallow a tank or a helicopter, and casual dialog between elected officials that propels the world towards Armageddon, some viewers may long for a slower paced film with a literate script and a plot based on logic. But then again, some may find Channing and his muscles more satisfying than either literacy or logic.
Clichés abound; from a troubled father-daughter relationship to an expository job interview that details the hero's past and a White House tour that fills in the history of the presidential mansion, the plot inches forward until the explosions literally begin. However, logic and plausibility also evaporate as the pace accelerates. While metal detectors screen visitors, the terrorists have an arsenal of automatic weapons already in the White House. While bullets fly and White House staff and visitors cower and flee, a young girl records everything on video for her on-line blog. Preposterous would come to mind, if the action allowed viewers to pause and think for a moment.
The cast of professionals is capable for this type of film. Headed by Channing Tatum, who sports a fetching sleeveless tunic to highlight his biceps, is the negligent father, caught in the dire White House situation with his blogger daughter. Jamie Foxx is fine as the President, while Maggie Gyllenhaal and Richard Jenkins both try to rise above the trite material, which was written by James Vanderbilt. Always fun to watch, James Woods manages to chew on the government-issue scenery in a showy role. The current resident of the White House, who claims ignorance of the 25th Amendment, should catch this film as that amendment is cited several times.
Audiences for a Roland Emmerich movie know what they want, and "White House Down" will deliver the goods for them. However, after two hours plus of mindless action, plot holes big enough to swallow a tank or a helicopter, and casual dialog between elected officials that propels the world towards Armageddon, some viewers may long for a slower paced film with a literate script and a plot based on logic. But then again, some may find Channing and his muscles more satisfying than either literacy or logic.