When one sees that a film is directed by Luc Besson, has music by Eric Serra and that it has Jean Reno, it is hard not to expect a lot. 'The Big Blue' meets the high expectations, if just falling short of exceeding them, while it is a very divisive film and it's not one of my favourites it is a beautiful film and really quite stunning at its best.
'The Big Blue' does fare better in the friendship than the love story. The love story has some sweet and touching moments but it is on the shallow and sketchy side. This would have been made better if more thought was put into Rosanna Arquette's character, if she was made more endearing and that she was better developed. Instead the character felt almost like an afterthought at first and Arquette didn't do much for me sadly.
Regarding 'The Big Blue's' story, it generally, while full of enough things to make the film worth sticking with, is a bit thin for such a long length.
However, the friendship has a lot of charm and warmth, with sprinkles of humour and nostalgia. Besson's direction often is masterly, with an amazing eye for style and visual beauty and he really does bring out the best of his actors. Excluding Arquette, which was largely actually because of the way the character was written (people may be tired of hearing this as an excuse when actors/actresses give not so good performances when working with not so well written characters but actually to me it is a valid one), the acting is very good. The obvious standout is a superb and often very funny Jean Reno, but handsome Jean-Marc Barr also shows why he was deserving of a bigger career.
Eric Serra's music score is a big asset, soothing, understated and hauntingly hypnotic. There is a good deal of charm, also humour and poignancy in the writing.
Best of all when it comes to 'The Big Blue' is the cinematography and the underwater scenes. The scenery is also exquisite. There are many visually beautiful films out there, beautiful doesn't do the sensational cinematography justice. Haven't seen a film with cinematography this good in a while and while Besson's films are all very well made 'The Big Blue' is a very strong contender for his best-looking film. The film to me contains the finest underwater sequences in film, poetic and tear-jerking and the ocean has rarely looked so magnificent and it was clear the camera was in love with it. One moment particularly stands out, the first plunge into the mysterious blackness is simply cinema at its most magical.
In summary, while it didn't quite blow me away 'The Big Blue' is an incredibly well done film. 8/10 Bethany Cox
'The Big Blue' does fare better in the friendship than the love story. The love story has some sweet and touching moments but it is on the shallow and sketchy side. This would have been made better if more thought was put into Rosanna Arquette's character, if she was made more endearing and that she was better developed. Instead the character felt almost like an afterthought at first and Arquette didn't do much for me sadly.
Regarding 'The Big Blue's' story, it generally, while full of enough things to make the film worth sticking with, is a bit thin for such a long length.
However, the friendship has a lot of charm and warmth, with sprinkles of humour and nostalgia. Besson's direction often is masterly, with an amazing eye for style and visual beauty and he really does bring out the best of his actors. Excluding Arquette, which was largely actually because of the way the character was written (people may be tired of hearing this as an excuse when actors/actresses give not so good performances when working with not so well written characters but actually to me it is a valid one), the acting is very good. The obvious standout is a superb and often very funny Jean Reno, but handsome Jean-Marc Barr also shows why he was deserving of a bigger career.
Eric Serra's music score is a big asset, soothing, understated and hauntingly hypnotic. There is a good deal of charm, also humour and poignancy in the writing.
Best of all when it comes to 'The Big Blue' is the cinematography and the underwater scenes. The scenery is also exquisite. There are many visually beautiful films out there, beautiful doesn't do the sensational cinematography justice. Haven't seen a film with cinematography this good in a while and while Besson's films are all very well made 'The Big Blue' is a very strong contender for his best-looking film. The film to me contains the finest underwater sequences in film, poetic and tear-jerking and the ocean has rarely looked so magnificent and it was clear the camera was in love with it. One moment particularly stands out, the first plunge into the mysterious blackness is simply cinema at its most magical.
In summary, while it didn't quite blow me away 'The Big Blue' is an incredibly well done film. 8/10 Bethany Cox