7/10
Always specify "Alvin J." when you say, "Nietz"!
18 November 2017
Warning: Spoilers
Ken Maynard (Thunderbolt), Frances Lee (Judy Lane), Frank Rice (Nevady), Harry Holman (Wingate), William Gould (Red Matthews), Bob Kortman (One-Shot), Wilfred Lucas (President Eaton), William Robyns (Wingate's partner), Frank Beal (Tobias Oldham), Nelson McDowell (McTavish), Stanley Blystone (Flash), Arthur Hoyt (Eaton's secretary), Gus Leonard (Old Joe), Robert McKenzie (bartender), Kermit Maynard, William McCall, Murdock MacQuarrie, Harry Todd, Horace B. Carpenter, Silver Tip Baker (townsmen), Ralph Bucko, Roy Bucko, Jim Mason, Bud McClure, Lew Meehan, Merrill McCormick, Blackjack Ward, Robert Walker, Jack Rockwell, Bill Patton (henchmen), Archie Ricks (stage driver), Tom Smith, Jess Cavin, Charles Murphy (barflies), Frank Ellis (cowboy). Johnny Luther (outlaw).

Director: ALVIN J. NIETZ. Screenplay: Alvin J. Nietz. Story: Betty Burbridge, Forrest Sheldon. Photography: Jackson Rose. Film editor: Dave Berg. Art director: Ralph M. DeLacy. Production supervisor: Irving Starr. Assistant director: Mike Eason. Sound recording: Hans Weeren. Producers: Burt Kelly, Sam Bischoff, William Saal.

Copyright 5 March 1933 by K.B.S. Productions, Inc. Presented by E. W. Hammons and released through World Wide Pictures. Physical distribution through Fox. U.S. release: 25 March 1933. No recorded New York opening. U.K. release: 24 February 1934. 62 minutes.

SYNOPSIS: An eager cowboy agrees to rid a small western town of all its troublemakers in exchange for three kisses from the pretty proprietress of the local restaurant.

COMMENT: Another most entertaining outing for Ken Maynard's legion of fans (of which I'm one), this entry finds our plucky hero enmeshed in a cleverly realized series of scrapes, both serious and comic.

Abetting Ken in these endeavors is a fine support cast, led by the lovely Frances Lee as the reluctant heroine, Frank Rice as the tale- spinning sidekick, Harry Holman as the inspired banker and Bob Kortman (in a sizable role for once) as the ruffianly One-Shot.

Production values are extremely high with lots of extras milling around the back-lot of the California Tiffany Studios. Director Alan James (or Alvin J. Nietz as he was sometimes billed) takes full advantage of the producers' largess. I love the almost epic scene where the band and citizenry welcome the railroad president with all colors flying.

Keen-eyed aficionados will note Kermit Maynard doubling for his brother in a few overhead shots of the destructive fight between Ken and Bob in Miss Lee's eatery.
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