One of the first features directed by Édouard Molinaro, in black and white, is a boring drama in the first half and a continuous shift of gun and machine gun bursts in the second half. A very young and not very convincing Robert Hossein in a dirty love affair, that has a lot of troubles because of the woman he loves, and Magali Noël (Fellini's favorite), as a woman who encourages the dangerous links between some young, unconscious and naive women, and some unscrupulous, tricky men.
Review of The Road to Shame
