Yes, the script is sheer hoke, and George Waggner's direction rarely rises above his customary mediocre standard, but out of this dross, photographer Elwood Bredell has spun a golden web of cinematographic beauty.
And speaking of "beauty", I am reminded of a comment in "The New York Times" that Maria Montez in this movie displays "a figure not inferior to Dorothy Lamour's!"
I heartily agree, and I would draw your attention again to my comment that Elwood Bredell is the man we should heartily congratulate.
And speaking of "beauty", I am reminded of a comment in "The New York Times" that Maria Montez in this movie displays "a figure not inferior to Dorothy Lamour's!"
I heartily agree, and I would draw your attention again to my comment that Elwood Bredell is the man we should heartily congratulate.