Copyright 1955 by Universal Pictures Co., Inc. A Universal-International picture. No New York opening. U.S. release: April 1956. U.K. release through J. Arthur Rank Film Distributors: November 1955. Australian release: 9 March 1956. 7,253 feet. 81 minutes. Cut to 71 minutes in Australia so that it could easily fit on the lower half of a double bill.
SYNOPSIS: Ma Kettle and thirteen of her sixteen children visit her lazy brother-in-law's rundown farm in the Ozarks.
NOTES: Ninth of Universal's ten-picture Ma and Pa Kettle series. Percy Kilbride by this time was heartily sick of playing Pa. Minor injuries received in an auto accident gave him a good excuse to bow out of the series. He retired permanently from the screen and even refused $1 million to appear in a TV version of the Kettles. Ironically he was killed in December 1964 when struck by a car whilst crossing the street.
COMMENT: This attempt to get by without Pa is not overly successful. Not only is Kilbride sadly missed, but the scriptwriter injudiciously calls our attention to his absence on no less than three occasions including two long letters which Ma Main reads. As might be expected, Miss Main carries the whole burden of this entry. Hunnicutt has no personality and is even outclassed by a goose wearing galoshes. Exaggerated slapstick abounds. But the movie signally lacks wit and charm. Heavy-handed direction and meat-axe film editing don't help.
Miss Main was determined to continue the series without Kilbride. "I'd stand on my head to make people laugh," she said at the time. "That's all I have to live for. I don't want to retire." Unfortunately, the popularity of the series was now on the wane. Never highly regarded by the critics who found the cornball slapstick tedious and the lack of production values irritating, the Kettle movies were now upstaged by a host of TV imitators such as The Real McCoys, The Beverly Hillbillies, Green Acres and Petticoat Junction.
OTHER VIEWS: About the only claim to fame this entry can muster is the presence of that personable stuntman Dave O'Brien (the perennial fall-guy of Pete Smith Specialties) as a Kettle-kids-harassed train conductor. These sequences occur quite early in the film. If you think this railroad slapstick embarrassingly inept, be warned it's all downhill from there. And to think that producer Richard Wilson, a long-time associate of Orson Welles, was assistant director on Citizen Kane and an associate producer of The Lady from Shanghai.
SYNOPSIS: Ma Kettle and thirteen of her sixteen children visit her lazy brother-in-law's rundown farm in the Ozarks.
NOTES: Ninth of Universal's ten-picture Ma and Pa Kettle series. Percy Kilbride by this time was heartily sick of playing Pa. Minor injuries received in an auto accident gave him a good excuse to bow out of the series. He retired permanently from the screen and even refused $1 million to appear in a TV version of the Kettles. Ironically he was killed in December 1964 when struck by a car whilst crossing the street.
COMMENT: This attempt to get by without Pa is not overly successful. Not only is Kilbride sadly missed, but the scriptwriter injudiciously calls our attention to his absence on no less than three occasions including two long letters which Ma Main reads. As might be expected, Miss Main carries the whole burden of this entry. Hunnicutt has no personality and is even outclassed by a goose wearing galoshes. Exaggerated slapstick abounds. But the movie signally lacks wit and charm. Heavy-handed direction and meat-axe film editing don't help.
Miss Main was determined to continue the series without Kilbride. "I'd stand on my head to make people laugh," she said at the time. "That's all I have to live for. I don't want to retire." Unfortunately, the popularity of the series was now on the wane. Never highly regarded by the critics who found the cornball slapstick tedious and the lack of production values irritating, the Kettle movies were now upstaged by a host of TV imitators such as The Real McCoys, The Beverly Hillbillies, Green Acres and Petticoat Junction.
OTHER VIEWS: About the only claim to fame this entry can muster is the presence of that personable stuntman Dave O'Brien (the perennial fall-guy of Pete Smith Specialties) as a Kettle-kids-harassed train conductor. These sequences occur quite early in the film. If you think this railroad slapstick embarrassingly inept, be warned it's all downhill from there. And to think that producer Richard Wilson, a long-time associate of Orson Welles, was assistant director on Citizen Kane and an associate producer of The Lady from Shanghai.